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In Early Christianity lamps, fire and light are conceived as symbols, if not as visible manifestations, of the divine nature and the divine presence. In the Christian world view Christ is the true Light, [1] and Christians are viewed as children of Light at perpetual war with the powers of darkness.
In almost all Hindu homes, lamps are lit daily, sometimes before an altar. In some houses, oil lamps or candles are lit at dawn, in some houses they are lit at both dawn and dusk, and in a few, lamps are maintained continuously. A diya, or clay lamp, is frequently used in Hindu celebrations and forms an integral part of many social rites. It is ...
Early Christian and late antique oil lamps were diverse. One of the most notable ones were Mediterranean sigillata (“African”) lamps. The motifs were largely geometric, vegetative and graphic (monograms), with figural depiction of animals and human figures, often Christ. [13] Those depicting Christ or the Chi Rho often categorized as Hayes ...
An altar lamp, also known as a chancel lamp, refers to a light which is located in the chancel (sanctuary), of various Christian churches. In Roman Catholic , Old Catholic , Lutheran and Anglican churches, the chancel lamp burns before a tabernacle or ambry , or simply hangs in the chancel, to demonstrate the belief of the Real Presence of ...
A sanctuary lamp, chancel lamp, altar lamp, everlasting light, or eternal flame is a light that shines before the altar of sanctuaries in many Jewish and Christian places of worship. [1] Prescribed in Exodus 27:20-21 of the Torah , this icon has taken on different meanings in each of the religions that have adopted it.
Phos Hilaron is to be sung at the lighting of lamps in the evening and so is sometimes known as the “Lamp-lighting Hymn”. Despite some of the words to the other three songs being from Scripture or in one case dated to around 150, Phos Hilaron is the first to be considered an actual hymn in the modern sense.