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Maria Callas [a] Commendatore OMRI [1] (born Maria Anna Cecilia Sofia Kalogeropoulos; [b] December 2, 1923 – September 16, 1977) was an American and Greek soprano [2] and one of the most renowned and influential opera singers of the 20th century.
It features arias from Carmen, Werther, I Capuleti e i Montecchi, La Cenerentola, The Barber of Seville; Daniele Rustioni conducting the Royal Philharmonic Orchestra. [8] In a five star review in The Guardian , Erica Jeal wrote "Her debut solo recording perfectly showcases the glowing expansiveness, swagger and breathtaking poise of Akhmetshina ...
The contralto voice has the lowest tessitura of the female voices and is noted for its rich and deep vocal timbre. [2] True operatic contraltos are very rare. [3] The following is a list of contralto singers who have regularly performed unamplified classical or operatic music in concert halls and/or opera houses. [4]
The list spans from operatic sopranos active in the first operas of the late 16th century to singers currently performing. Singers who have recorded opera arias or sung them in concert but have never performed in an opera are not included in this list. Singers are sorted by their year of birth.
Dame Kiri Jeanette Claire Te Kanawa [1] (/ ˈ k ɪr i t ə ˈ k ɑː n ə w ə /; [2] born Claire Mary Teresa Rawstron, 6 March 1944) is a New Zealand opera singer.She had a full lyric soprano voice, which has been described as "mellow yet vibrant, warm, ample and unforced". [3]
The disc of opera arias by Tchaikovsky (BMG, the Royal Opera orchestra, conductor Neeme Järvi) was considered to be exceptionally brilliant, marking out the scene of Tatyana's letter as the best interpretation of recent 20 years. The disc Arias from Verdi's late operas got the Gramophone editor choice (October, 2003). Classic CD described her ...
Der Hölle Rache kocht in meinem Herzen" ("Hell's vengeance boils in my heart"), commonly abbreviated "Der Hölle Rache", is an aria sung by the Queen of the Night, a coloratura soprano part, in the second act of Mozart's opera The Magic Flute (Die Zauberflöte). It depicts a fit of vengeful rage in which the Queen of the Night places a knife ...
Operas with entries in The Metropolitan Opera Guide to Recorded Opera ed. Paul Gruber (Thames and Hudson, 1993). ISBN 0-393-03444-5 and/or Metropolitan Opera Stories of the Great Operas ed. John W Freeman (Norton, 1984). ISBN 0-393-01888-1; List of operas and their composers in Who's Who in British Opera ed. Nicky Adam (Scolar Press, 1993).