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The United States of America is the home of the hip hop dance, swing, tap dance and its derivative Rock and Roll, and modern square dance (associated with the United States of America due to its historic development in that country—twenty three U.S. states have designated it as their official state dance or official folk dance) and one of the major centers for modern dance.
Martha Hill (December 1, 1900 – November 19, 1995) [1] was an American dance instructor with wide influence. She founded innovative programs at Bennington College and Connecticut College, and was the first Director of Dance at the Juilliard School, a position she held for almost 35 years.
With clear pioneers, pupils and principles, modern dance began to emerge as a distinctly American art form to be taught and developed throughout the country and continent. [citation needed] Later choreographers searched for new methods of dance composition. Merce Cunningham (1919–2009) introduced chance procedures and composition by field.
Myra Yvonne Chouteau (/ ʃ uː ˈ t oʊ /) (March 7, 1929 – January 24, 2016) was an American ballerina and one of the "Five Moons" or Native prima ballerinas of Oklahoma. She was the only child of Corbett Edward and Lucy Annette Chouteau. She was born March 7, 1929, in Fort Worth, Texas.
The first original production for Theater in America was of Enemies. [7] In 1974, WNET added The Great Performance, a series of classical concerts. [8] In 1976, Great Performances became the umbrella title and the music section was named Music in America. A third section, Dance In America, was also added.
Download as PDF; Printable version; In other projects Wikidata item; Appearance. move to sidebar hide. ... African-American dance (3 C, 50 P) C. Country dance (6 C, 9 ...
James Titus Godbolt (October 2, 1927 – May 16, 2008), known professionally as Jimmy Slyde and also as the "King of Slides", was an American tap dancer known for his innovative tap style mixed with jazz. Slyde was a popular rhythm tap dancer in America in the mid-20th century, when he performed on the nightclub and burlesque circuits.
During the Civil War, popular ballads were common, some used liberally by both the North and the South as patriotic songs. Finally, late in the century, the African American cakewalk evolved into ragtime, which became a North American and European sensation, while mainstream America was enthralled by the brass band marches of John Philips Sousa.