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The Best of Old-School Black Metal is a compilation album by Darkthrone drummer Fenriz featuring bands that have been highly influential for, and pioneers of the black metal genre; Nattefrost and Aura Noir being the only newer bands.
This scene's typical style is a mixture of old school black metal and raw thrash metal influenced by old Celtic Frost, Bathory, Venom, and Sodom but also with its own elements. [167] Melechesh was formed in Jerusalem in 1993, "the first overtly anti-Christian band to exist in one of the holiest cities in the world". [168]
Nifelheim plays old-school black metal inspired by bands like Venom, [2] Bathory, [2] [6] Brazilian thrash metal bands Vulcano, [2] Holocausto [2] and Sarcófago [2] and Czech Master's Hammer. [2] The influence of Iron Maiden is also evident in some arrangements. [6] The band's lyrics treat Satanism and other topics typical
The first wave of black metal was a musical movement of black metal which took place between roughly 1982 and 1991. Stylistically distinct from the genre's quintessential later sound, the earliest bands in this first wave played a primordial form of extreme metal that was still indebted to traditional heavy metal .
The release was limited to 500 copies, [5] and the band intended it to be "old school black metal", in contrast with their usual style. [6] This was followed by 2003's River at Dash Scalding, [7] recorded at Praxis Studio, [6] featuring faster and heavier drum work from official drummer Warhead. [7]
Burzum (/ ˈ b ɜːr z əm /; Norwegian: [ˈbʉ̀rtsʉm]) is a Norwegian music project founded by former Mayhem member Varg Vikernes in 1991. Although Burzum never played live performances, it became a staple of the early Norwegian black metal scene and is considered one of the most influential acts in black metal's history.
The genre employs aesthetics and themes typically associated with black metal [4] juxtaposed to the typical heavy tremolo-picking, blast-beats, and harsh, shrieked vocals of black metal by way of compositions of instrumental or ambient music commonly used as introductions, interludes, or "outros" in black metal, [5] death metal, and heavy metal [6] albums throughout the 1980s and 1990s.
Others criticize it for lacking originality and cohesiveness, suggesting it doesn't offer much beyond standard old-school black metal. Overall, "Church of Atrocity" presents a blend of traditional black metal elements with occasional experimental touches, reflecting the diverse influences and musical explorations of Clandestine Blaze.