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The origami crane diagram, using the Yoshizawa–Randlett system. The Yoshizawa–Randlett system is a diagramming system used to describe the folds of origami models. Many origami books begin with a description of basic origami techniques which are used to construct the models.
A paper fortune teller may be constructed by the steps shown in the illustration below: [1] [2] The corners of a sheet of paper are folded up to meet the opposite sides and (if the paper is not already square) the top is cut off, making a square sheet with diagonal creases.
A crease pattern (commonly referred to as a CP) [1] is an origami diagram that consists of all or most of the creases in the final model, rendered into one image. This is useful for diagramming complex and super-complex models, where the model is often not simple enough to diagram efficiently.
The placement of a point on a curved fold in the pattern may require the solution of elliptic integrals. Curved origami allows the paper to form developable surfaces that are not flat. [41] Wet-folding origami is a technique evolved by Yoshizawa that allows curved folds to create an even greater range of shapes of higher order complexity.
The Huzita–Justin axioms or Huzita–Hatori axioms are a set of rules related to the mathematical principles of origami, describing the operations that can be made when folding a piece of paper. The axioms assume that the operations are completed on a plane (i.e. a perfect piece of paper), and that all folds are linear.
Modular origami or unit origami is a multi-stage paper folding technique in which several, or sometimes many, sheets of paper are first folded into individual modules or units and then assembled into an integrated flat shape or three-dimensional structure, usually by inserting flaps into pockets created by the folding process. [3]
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Origami Omnibus: Paper Folding for Everybody. Tokyo: Japan Publications, Inc. ISBN 4-8170-9001-4 A book for a more advanced origamian; this book presents many more complicated ideas and theories, as well as related topics in geometry and culture, along with model diagrams. Kunihiko Kasahara and Toshie Takahama (1987). Origami for the Connoisseur.