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The poem's three unemotional quatrains are written in iambic trimeter with only line 5 in iambic tetrameter. Lines 1 and 3 (and others) end with extra syllables. The rhyme scheme is abcb. The poem's "success" theme is treated paradoxically: Only those who know defeat can truly appreciate success. Alliteration enhances the poem's lyricism.
A Hobson's choice is a free choice in which only one thing is actually offered. The term is often used to describe an illusion that choices are available. The best known Hobson's choice is "I'll give you a choice: take it or leave it", wherein "leaving it" is strongly undesirable.
The poem does not have a deep, hidden, symbolic meaning. Rather, it is simply pleasurable to read, say, and hear. Critical terminology becomes useful when one attempts to account for why the language is pleasurable, and how Byron achieved this effect. The lines are not simply rhythmic: the rhythm is regular within a line, and is the same for ...
Twitter user Ronnie Joyce came across the poem above on the wall of a bar in London, England. While at first the text seems dreary and depressing, the poem actually has a really beautiful message.
In this sense, the poem reflects on how we reconcile our decisions over time, often giving more weight to the moment of decision-making --with the wisdom of hindsight-- than was true at the original time. And yet, the phrase "perhaps the better claim, Because it was grassy and wanted wear" speaks to a want or desire drawn out from a lack of "wear".
The poem exhibits several typical features of Dickinson's poems. Like most of Dickinson's poems, it was written in ballad metre, iambic lines that alternate between four and three beats to the line. This is a less regular, more intimate, version of the common metre used in hymns such as Amazing Grace. The syllable count is not so strict and ...
The poems in the second section of Diiie, for example, are militant in tone; according to Hagen, the poems in this section have "more bite" [36] than the ones in the first section and express the experience of being Black in a white-dominated world. DeGout states, however, that Angelou's poems have levels of meaning, and that poems in the ...
"The Road Not Taken" is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation is noted for being ...