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The following is an incomplete list of works by Artemisia Gentileschi. Catalogue numbers abbreviated "WB" are taken from the 1999 publication by Raymond Ward Bissell, [1] and number abbreviated "MET" are from the 2001 publication by the Metropolitan Museum of Art. Other attributions are taken from Jesse Locker's The Language of Painting.
Self-Portrait (Artemisia Gentileschi) Self-Portrait as a Female Martyr; Self-Portrait as a Lute Player; Self-Portrait as Saint Catherine of Alexandria; Self-Portrait as the Allegory of Painting; Susanna and the Elders (Artemisia Gentileschi, Brno) Susanna and the Elders (Artemisia Gentileschi, London) Susanna and the Elders (Artemisia ...
Artemisia and her oeuvre became a focus again, having had little attention in art history scholarship save Roberto Longhi's article "Gentileschi padre e figlia (Gentileschi, father and daughter)" in 1916 and Bissell's article "Artemisia Gentileschi—A New Documented Chronology" in 1968. As Artemisia and her work began to garner new attention ...
Judith Slaying Holofernes is a painting by the Italian early Baroque artist Artemisia Gentileschi, completed in 1612-13 and now at the Museo Capodimonte, Naples, Italy. [1] The picture is considered one of her iconic works. The canvas shows Judith beheading Holofernes.
A common theme for artists of the period, the artist may have drawn upon Plutarch's account which described her death from the bite of an asp. [2] The pose is based upon that of an ancient statue now known as Sleeping Ariadne, which had been thought to represent Cleopatra wearing a snake-like piece of jewelry on her arm. [2]
Artist Kathleen Gilje created a work of art based on Gentileschi's painting in which she made one, more violent version of Gentileschi's painting in lead paint, then painted a copy of Gentileschi's original over top. An x-ray of Gilje's painting shows Gentileschi's version of Susanna overlaying a version that depicts the rage and pain of a rape ...