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An important influence that can be seen in the magazine is from the Dutch artist Theo Van Doesburg. He formulated in “Basis of the Concrete painting”, in Paris, April 1930. [5] Van Doesburg described concrete art by stating, "1) Art is universal. 2) The work of art must be conceived and entirely shaped by the spirit before its execution.
John Joseph Earley (1881 in New York City – November 25, 1945) was the son of James Earley, a fourth generation Irish stone carver and ecclesiastical artist. A skilled artisan, architect, and innovator in the use of concrete Earley is best known for the invention of the Earley Process, a technique also known as polychrome, architectural or mosaic concrete.
Concrete art was an art movement with a strong emphasis on geometrical abstraction. The term was first formulated by Theo van Doesburg and was then used by him in 1930 to define the difference between his vision of art and that of other abstract artists of the time.
The Neo-Concrete Movement (1959–1961) was a Brazilian art movement, a group that splintered off from the larger Concrete Art movement prevalent in Latin America and in other parts of the world. The Neo-Concretes emerged from Rio de Janeiro’s Grupo Frente. They rejected the pure rationalist approach of concrete art and embraced more ...
The Neo-Concrete Manifesto [2] was written in 1959 by Gullar and begins: . We use the term "neo-concrete" to differentiate ourselves from those committed to non-figurative "geometric" art (neoplasticism, constructivism, suprematism, the school of Ulm) and particularly the kind of concrete art that is influenced by a dangerously acute rationalism.
The Brazilian Neo-Concrete movement borrowed their artistic ideas from Max Bill who was the director of the Ulm School of Design in Germany during the early 1950s. [14] Grega no. 4 (1955) at Glenstone in 2023. The Neo-Concretists were interested in how art could be used to "express complex human realities". [18]
The Neo-Concrete Movement rejected the objective nature of Concrete Art and sought to use phenomenology to create art that "expresses complex human realities." This was stated in the manifesto written by Amílcar de Castro , Ferreira Gullar , Franz Weissmann , Lygia Clark , Lygia Pape , Reynaldo Jardim , Theon Spanudis and published in Rio de ...
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