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Literature, in general, is defined by Aristotle as a mimesis, or imitation of life. Comedy is the third form of literature, being the most divorced from a true mimesis. Tragedy is the truest mimesis, followed by epic poetry, comedy, and lyric poetry. The genre of comedy is defined by a certain pattern according to Aristotle's definition.
Comedy is a genre of dramatic performance having a light or humorous tone that depicts amusing incidents and in which the characters ultimately triumph over adversity. [1] For ancient Greeks and Romans, a comedy was a stage-play with a happy ending. In the Middle Ages, the term expanded to include narrative poems with happy endings and a ...
The prevailing genres of literary composition in Ancient Greece were all written and constructed to explore cultural, moral, or ethical questions; they were ultimately defined as the genres of epic, tragedy, and comedy. Aristotle's proscriptive analysis of tragedy, for example, as expressed in his Rhetoric and Poetics, saw it as having 6 parts ...
A reader is not expected to 'find' or 'discover' a humorous moment within the reality of the text, rather, humor is the ongoing mood, like a comedy movie, rather than a movie that has some comedy or laughs within it. Literary scholars distinguish textual analysis on this basis; the theory being that a story by Mark Twain that is a satirical ...
Comedy can be divided into multiple genres based on the source of humor, the method of delivery, and the context in which it is delivered. These classifications overlap, and most comedians can fit into multiple genres.
Relief theory suggests humor is a mechanism for pent-up emotions or tension through emotional relief. In this theory, laughter serves as a homeostatic mechanism by which psychological stress is reduced [1] [2] [6] Humor may thus facilitate ease of the tension caused by one's fears, for example.
Comedy drama (also known by the portmanteau dramedy) [1] [2] is a hybrid genre of works that combine elements of comedy and drama. [3] In film, as well as scripted television series, serious dramatic subjects (such as death, illness, betrayal, grief, etc.) are dealt with realism and subtlety, while preserving a humorous tenor.
One leading analysis of American humor, the 1931 book American Humor: A Study of the National Character by Constance Rourke, identified the character of the "Yankee" as that first American comic figure, the first widely accepted American character that the nation could find funny, make fun of and even export for the amusement of the world – a gangly traveler who told stories, played ...