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The Tempest is a play by William Shakespeare, probably written in 1610–1611, and thought to be one of the last plays that he wrote alone.After the first scene, which takes place on a ship at sea during a tempest, the rest of the story is set on a remote island, where Prospero, a wizard, lives with his daughter Miranda, and his two servants: Caliban, a savage monster figure, and Ariel, an ...
Comus (A Masque Presented at Ludlow Castle, 1634) is a masque in honour of chastity written by John Milton. It was first presented on Michaelmas 1634 before John Egerton, 1st Earl of Bridgewater at Ludlow Castle in celebration of the Earl's new post as Lord President of Wales .
A few years before, in 1637, Milton had used the expression "light fantastic" in reference to dancing in his masque Comus: "Come, knit hands, and beat the ground,/In a light fantastic round." [7] Prior to Milton, the expression "tripping on his toe" appears in Shakespeare's The Tempest (1610–1611):
Sycorax / ˈ s ɪ k ər æ k s / is an unseen character in William Shakespeare's play The Tempest (1611). She is a vicious and powerful witch and the mother of Caliban, one of the few native inhabitants of the island on which Prospero, the hero of the play, is stranded.
The Tempest interprets Miranda as a living representation of female virtue. Miranda is typically viewed as having believed herself to be subordinate towards her father. She is loving, kind, and compassionate as well as obedient to her father and is described as "perfect and peerless, created of every creature's best". [ 5 ]
Costume for a Knight, by Inigo Jones: the plumed helmet, the "heroic torso" in armour and other conventions were still employed for opera seria in the 18th century.. The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the ...
The presence of pre-Christian, masque-like figures, like Jupiter in Cymbeline and the goddesses whom Prospero summons in The Tempest; [14] A mixture of "courtly" and "pastoral" scenes (such as the gentry and the island residents in The Tempest and the pastoral and courtly contrasts of The Winter's Tale). [15]
In 1610, Ben Jonson wrote a masque of Oberon, the Faery Prince. It was performed by Henry Frederick Stuart, the Prince of Wales, at the English court on New Year's Day, 1611. Oberon is a main character in Michael Drayton's narrative poem Nimphidia (1627) about the fairy Pigwiggin's love for Queen Mab and the jealousy of King Oberon.