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Artistic depictions show armor that has a top piece which covers the shoulders and is tied down on the chest, a main body piece wrapping around the wearer and covering the chest from the waist up, and a row of pteruges or flaps around the bottom which cover the belly and hips. Vase paintings from Athens often show scales covering part of the ...
Linothorax armor made out of linen fabric was the most common form of infantry torso armor, being cheap and relatively light. Bronze breastplate armor was also used, in forms such as a bell cuirass. Little other armor was worn, and fatal blows to unprotected areas (such as the bladder or neck) are recorded in ancient art and poetry. [12]
Originally made from hammered bronze plate, boiled leather also came to be used. [citation needed] It is commonly depicted in Greek and Roman art, where it is worn by generals, emperors, and deities during periods when soldiers used other types. In Roman sculpture, the muscle cuirass is often highly ornamented with mythological scenes ...
It forms part of the Late Helladic (LHIIIa) Dendra Panoply, which consists of 15 separate pieces of bronze sheet, held together with leather thongs, that encased the wearer from neck to knees. [6] The panoply includes both greaves and lower arm-guards. The arm-guard is unique but greaves, probably made of linen, are often depicted in late ...
A manica (Latin: manica, "sleeve"; [1] Greek: χεῖρες, kheires, "sleeves") was a type of iron or copper-alloy laminated arm guard with curved, overlapping metal segments or plates fastened to leather straps worn by ancient and late antique heavy cavalry, infantry, and gladiators.
Open, quilted leather jackets and trousers were worn by Scythian horsemen before the 4th century BC, as can be seen on Scythian gold ornaments crafted by Greek goldsmiths. As stand-alone cloth armour, the European gambeson can be traced at least to the late tenth century, but it is likely to have been used in various forms for longer.
An Ancient Greek bronze cuirass, dated between 620 and 580 BC. In Hellenistic and Roman times, the musculature of the male torso was idealized in the form of the muscle cuirass [2] or "heroic cuirass" (in French the cuirasse esthétique) [3] sometimes further embellished with symbolic representation in relief, familiar in the Augustus of Prima Porta and other heroic representations in official ...
It was cut like a Greek cuirass made of linen. Leather pteruges were underneath the armor. [3] The lorica hamata contained flaps that ran from about mid-back to the front of the torso. These flaps were connected to the main armor through hooks made of either brass or iron that connected to studs riveted through the ends of the flaps. [2]