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In January 1948, John A. Jenson published the first edition of the Othello Progress News. [3] In 1951, G. W. Crisman, president of the Leader Publishing company, announced the paper had been sold to Warren Baslee, with Bruce A. Wilson acquiring an interest. [4] At that time the paper's name was changed to the Othello Outlook. [5]
English: James Earl Jones performs from Shakespeare's Othello at the White House Evening of Poetry, Music, and the Spoken Word on May 12, 2009. Note that the description at Whitehouse.gov claims here this performance is in the public domain.
Desdemona (/ ˌ d ɛ z d ə ˈ m oʊ n ə /) is a character in William Shakespeare's play Othello (c. 1601–1604). Shakespeare's Desdemona is a Venetian beauty who enrages and disappoints her father, a Venetian senator, when she elopes with Othello, a Moorish Venetian military prodigy.
Othello (/ ɒ ˈ θ ɛ l oʊ /, oh-THELL-oh) is the titular protagonist in Shakespeare's Othello (c. 1601–1604). The character's origin is traced to the tale "Un Capitano Moro" in Gli Hecatommithi by Giovanni Battista Giraldi Cinthio .
Otello (Italian pronunciation:) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play Othello.It was Verdi's penultimate opera, first performed at the Teatro alla Scala, Milan, on 5 February 1887.
The Nigerian poet Ben Okri in his 1997 A Way of Being Free included several "meditations" on Othello, arguing that because "it is possible that Othello actually is a blackened white man" he is not a fully formed character with a psychology but a "white myth or stereotype of black masculinity". [94]
Othello, a General in the Venetian army, promotes a young officer, Michael Cassio, enraging Iago—the General's ensign—who expected the post himself. Outwardly loyal to Othello and his recently married wife, Desdemona, Iago proceeds to cause dissension within Othello's camp (for instance, tuning Othello's new father-in-law against him, and causing Cassio to fight another officer).
Leonard Maltin, in his Movie and Video Guide, called the film "nearly flawless". Vincent Canby in The New York Times, however, criticized Zeffirelli for some of his alterations to the opera's music. [4] In an interview in Opera News, the film's star, Plácido Domingo, expressed similar displeasure in the movie's musical cuts. He also complained ...