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In modern French, pendant is the gerund form of pendre ("to hang") and also means "during". The extent to which the design of a pendant can be incorporated into an overall necklace makes it not always accurate to treat them as separate items. [2] In some cases, though, the separation between necklace and pendant is far clearer. [2]
The combined male-female symbol (⚥) is used to represent androgyne people; [17] when additionally combined with the female (♀) and male (♂) symbols (⚧) it indicates gender inclusivity, [citation needed] though it is also used as a transgender symbol. [18] [19] [17] The male-with-stroke symbol (⚦) is used for transgender people. [17]
Although women wore jewellery the most, some men in the Indus Valley wore beads. Small beads were often crafted to be placed in men and women's hair. The beads were about one millimetre long. [citation needed] A female skeleton (presently on display at the National Museum, New Delhi, India) wears a carlinean bangle (bracelet) on her left hand.
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Udgītha (उद्गीथ); meaning "song, chant", a word found in Samaveda and bhasya (commentaries) based on it. It is also used as a name of the syllable Om in Chandogya Upanishad. [27] Akṣara (अक्षर); literally, "imperishable, immutable", and also "letter of the alphabet" or "syllable".
Men wore one chaozhu and only women of high-ranking status were allowed to wear triple chaozhu (one at the neck and two diagonally over each shoulder and underarms). [ 1 ] [ 4 ] : 52 In arrangement, women's chaozhu differed slightly from the men's: men had a single shuzhu at the right and the pair shuzhu is found on the left (at his heart ...
An Art Nouveau era Suffragette pendant set with amethyst, pearl, and peridot. A Suffragette brooch set with amethyst, pearl, and peridot. The suffragettes, in particular, successfully embraced the language of contemporary fashion - including its emphasis on delicate femininity - as a strategy for increasing the popular appeal of their movement and dodging the stereotype of the 'masculine ...
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