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Slash notation in 4/4 with a slash on each beat under a i7 iv7-V7 chord progression in B ♭ minor. Slash notation is a form of purposefully vague musical notation which indicates or requires that an accompaniment player or players improvise their own rhythm pattern or comp according to the chord symbol given above the staff.
There may be any number of beats in a measure but the most common by far are multiples of 2 or 3 (i.e., a top number of 2, 3, 4, or 6). Likewise, any note length can be used to represent a beat, but a quarter note (indicated by a bottom number of 4) or eighth note (bottom number of 8) are by far the most common.
4–3–2–1 formation. The 4–3–2–1, commonly described as the "Christmas tree" formation, has another forward brought on for a midfielder to play "in the hole", so leaving two forwards slightly behind the most forward striker. Terry Venables and Christian Gross used this formation during their time in charge of Tottenham Hotspur.
In jazz harmony, a So What chord is a particular 5-note chord voicing. From the bottom note upwards, it consists of three perfect fourth intervals followed by a major third interval. It was employed by Bill Evans in the "'amen' response figure" [1] to the head of the Miles Davis tune "So What". For example, an "E minor" So What chord is an Em ...
The CAGED system is an acronym for the chords C, A, G, E, and D. This acronym is shorthand for the use of barre chords that can be played anywhere on the fret board as described above.
For instance, the role of an inside forward in variants of a 5–3–2 formation has many parallels to that of an attacking midfielder, although the positions are nonetheless distinct. [2] Similarly, a 5–3–2 centre half can in many ways be compared to a holding midfielder in a 4–1–3–2. [3] In many cases, multiple terms exist for the ...