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The Shami statue is one of the main surviving works of Parthian art. It is currently in the National Museum of Iran (Inv. no. 2401) and was found at Shami (modern Khūzestān Province), where there was an ancient sanctuary. The bronze statue is 1.94 m high. The man depicted is shown frontally.
The symbols generally draw inspiration from old ornamental traditions such as duodji and the "runes" of the traditional shaman's drums. The symbols generally don't follow the rules of tincture, as the "Sámi colours" are traditionally placed colour on colour (rather than colour on metal and vice versa).
Openclipart, also called Open Clip Art Library, is an online media repository of free-content vector clip art.The project hosts over 160,000 free graphics and has billed itself as "the largest community of artists making the best free original clipart for you to use for absolutely any reason".
Trudy S. Kawami: Monumental art of the Parthian period in Iran. Brill, Leiden 1987, ISBN 90-6831-069-0. Hans Erik Mathiesen: Sculpture in the Parthian Empire. Aarhus 1992, ISBN 87-7288-311-1. John Boardman: The Diffusion of Classical Art in Antiquity. Thames and Hudson, London 1994. Michael Sommer: Hatra.
Hazard symbols; List of mathematical constants (typically letters and compound symbols) Glossary of mathematical symbols; List of physical constants (typically letters and compound symbols) List of common physics notations (typically letters used as variable names in equations) Rod of Asclepius / Caduceus as a symbol of medicine
Levantine Arabic, also called Shami (autonym: شامي, šāmi or اللهجة الشامية, el-lahje š-šāmiyye), is an Arabic variety spoken in the Levant, namely in Syria, Jordan, Lebanon, Palestine, Israel and southern Turkey (historically only in Adana, Mersin and Hatay provinces).
Characters that fall in the "political or religious" category are given the "general category" So, which is the catch-all category for "Symbol, other", i.e. anything considered a "symbol" which does not fall in any of the three other categories of Sm (mathematical symbols), Sc (currency symbols) or Sk (phonetic modifier symbols, i.e. IPA signs ...
[11] [12] However, the symbol only came into widespread use after it was associated with the Ottoman Empire, who took it from being the symbol of Constantinople after their takeover of the city. [13] [14] By extension from the use in Ottoman lands, it became a symbol also for Islam as a whole, as well as representative of western Orientalism.