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"Crying" is a song written by Roy Orbison and Joe Melson for Orbison's third studio album of the same name (1962). Released in 1961, it was a number 2 hit in the US for Orbison and was covered in 1978 by Don McLean , whose version went to number 1 in the UK in 1980.
Kathryn Dawn Lang OC AOE (born November 2, 1961), known by her stage name k.d. lang, is a Canadian pop and country singer-songwriter and occasional actress. Lang has won Juno Awards and Grammy Awards for her musical performances. Her hits include the songs "Constant Craving" and "Miss Chatelaine".
The duet "Crying" was a minor US chart hit for the pair, peaking at No. 42 on the Hot Country Songs chart, [8] but a more substantial hit in the UK in 1992, reaching No. 13 on the UK Singles Chart. [9] "I Drove All Night" was another hit single from the album. [citation needed] Clarence Clemons performed saxophone on "We'll Take the Night ...
Music videos: 12: k.d. lang is a Canadian singer and songwriter. ... "Crying" (with Roy Orbison) [A] 2 4 — 71 13 28 42 Hiding Out: 1988
Hymns of the 49th Parallel is the ninth studio album by the Canadian singer and songwriter k.d. lang, released in 2004.It is an album of songs by lang's favourite Canadian songwriters, and also includes a new version of her original composition "Simple" that initially appeared on her 2000 album Invincible Summer.
Roy Orbison and Friends: A Black and White Night is a 1988 Cinemax television special originally broadcast on January 3, 1988, presenting a performance by singer/songwriter Roy Orbison and the TCB Band with special guests including Bruce Springsteen, k.d. lang and others. The special was filmed entirely in black and white.
Live by Request is a live album by k.d. lang, released in 2001 (see 2001 in music). The album was recorded during the taping of the television show Live by Request on the A&E Network. The performance was on December 14, 2000 at the John Jay College of Criminal Justice in Midtown Manhattan. [4]
Traditional torch and twang gave her something to master and rebel against, but sublimely sensual art pop has set lang free." [ 9 ] David Browne of Entertainment Weekly described the album as "Ten meditations on unrequited desire, courtship, rejection, and sex, All You Can Eat is both the most brazen and conventional album she’s ever made ...