Search results
Results From The WOW.Com Content Network
Sunburst Finish is the third studio album by English rock band Be-Bop Deluxe, released in February 1976. [2] It was recorded in Abbey Road Studios, London. [3]The album contains what would become one of their few forays into chart success; the February 1976 single "Ships in the Night", which reached number 23 in the UK Singles Chart.
Introducing Be-Bop Deluxe (2004) and Nelson's 40-year career retrospective, eight CD set, The Practice Of Everyday Life (2011). Despite Be-Bop Deluxe's commercial success, Bill Nelson stated that he had never received royalties for the earlier CD release of his back catalog on EMI [15] until the 2011 CD reissue/remaster of his back catalogue. [16]
A 1993 video, Things to Come, included the eight on-screen performances by Gillespie and the band from Jivin' in Be-Bop, together with some numbers from another Alexander-produced musical, Rhythm in a Riff, which featured Billy Eckstine. [10] [11] Jivin' in Be-Bop was released on DVD in 2004. The between-song banter between Carter and Gillespie ...
Thelonious Monk: Straight, No Chaser is a 1988 American documentary film about the life of bebop pianist and composer Thelonious Monk.Directed by Charlotte Zwerin, it features live performances by Monk and his group, and posthumous interviews with friends and family. [2]
Charles Turu Tumahai (14 January 1949 – 21 December 1995) [1] was a New Zealand singer, bass player and songwriter who was a member of several noted rock groups in New Zealand, Australia and the UK. He is best known internationally as the bassist and backing vocalist in Bill Nelson's Be-Bop Deluxe.
Paul Avron Jeffreys (13 February 1952 – 21 December 1988) was an English rock musician. He played bass guitar in Cockney Rebel between 1972 and 1974, working on the group's first two albums, and later worked with a number of British bands, including Be-Bop Deluxe (1974), [ 1 ] Warm Jets (1977–1980) and Electric Eels (1980–1981).
The page features videos of Bebop, a girl with stick-straight hair who looks to be about eight or nine years old, mugging for the camera with her mom, a peroxide blond with a fondness for ethereal ...
Published in 1926, the song was first recorded by Clarence Williams' Blue Five with vocalist Eva Taylor in 1927. [1] It was popularized by the 1930 recording by McKinney's Cotton Pickers, who used it as their theme song [2] and by Louis Armstrong's record for Okeh Records (catalogue No.41448), both of which featured in the charts of 1930. [3]