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"Stairway to Heaven" is a song by the English rock band Led Zeppelin, released on 8 November 1971 on the band's untitled fourth studio album (commonly known as Led Zeppelin IV), by Atlantic Records. Composed by the band's guitarist Jimmy Page with lyrics written by lead singer Robert Plant , it is widely regarded as one of the greatest rock ...
1963 Gibson J-200, used to record acoustic parts for Led Zeppelin I. It was loaned to Page by its owner, Big Jim Sullivan, and returned to him after recording the album. Page would later own a re-issue built to the same specs as the 1963 model. 1972 Martin D-28, used to record acoustic songs after Led Zeppelin IV, used live at Earls Court in 1975
Robert Plant (left) and Jimmy Page (right) on stage in Chicago at Chicago Stadium, April 10, 1977. From September 1968 until the summer of 1980, English rock band Led Zeppelin were one of the world's most popular live music acts, performing hundreds of sold-out concerts around the world.
Even Page’s reported least-favorite Led Zeppelin song, “Living Loving Maid (She’s Just a Woman),” has an irrepressible groove, forming a killer 1-2 punch with “Heartbreaker.” 3. Led ...
In this 1999 photo taken at the RIAA Diamond Awards, Led Zeppelin bandmates John Paul Jones (left) and Jimmy Page reunite. The two plus Robert Plant are all featured in a new documentary ...
The untitled fourth studio album by the English rock band Led Zeppelin, commonly known as Led Zeppelin IV, [a] was released on 8 November 1971 by Atlantic Records.Produced by the band's guitarist, Jimmy Page, it was recorded between December 1970 and February 1971, mostly in the country house Headley Grange.
Bron-Yr-Aur in June 2004. Bron-Yr-Aur (Welsh for 'hill of gold'; [1] Welsh pronunciation: [brɔn ər ˈai̯r]) is a privately owned 18th-century cottage in Gwynedd, mid-Wales, on the outskirts of Machynlleth, best known for its association with the English rock band Led Zeppelin.
When Led Zeppelin undertook the series of five shows at London's Earl's Court Arena on May of 1975 they were at the very peak of their creative powers. Spurred on by the critical and commercial success of their sixth album, the double set Physical Graffiti , each show they played took on event-like proportions.