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The circuit used is commonly known as the AB763 circuit. Fender Twin Reverb amplifiers use four output tubes, of the 6L6GC type. [9] They use six preamp tubes, consisting of four 7025/12AX7 types [10] and two 12AT7 types. All Twin Reverbs feature a solid-state rectifier. [11] The Fender Twin Reverb has two independent channels, labeled Normal ...
The Fender Custom Amp Shop, a subset of the Custom Shop, has produced several limited-run amplifiers during its existence. Examples include the Tone-Master, Prosonic, Tweed Reissue Twin Reverb, and Two-Tone models. Fender also produces Fender Custom Shop calendars, which feature its many different guitars and basses.
The first amplifiers in this new line included the infamous 180W 'Super Twin' and 'Super Twin Reverb' amplifiers which featured active tone controls and a built-in distortion circuit that blended between clean and distorted sounds. Some bass amplifiers with similar architecture were also released, namely the 'Studio Bass' and 'PS300'.
The Vibrosonic Reverb was a guitar amplifier made by Fender.This silverfaced guitar combo was basically a master volume Twin Reverb equipped with a JBL D-130-F 15" speaker. It was available with 100 watts RMS of power with a 1960s "tailed" Fender logo before its change to a 135 watts RMS combo featuring a "tailless" Fender decal in 1977.
The Vypyr series of amps are modeling amplifiers. They generate different amplifier sounds based on digital models of various popular amplifiers. The models include Fender twin and deluxe, Mesa/Boogie Rectifier, Diezel Boutique, Krank Krankenstein, Vox AC30—and a large collection of Peavey amps like the 6505, XXX, and JSX.
The effect was created by running the original guitar track through the studio desk into three separate Fender Twin Reverb amplifiers, each with the tremolo control set to a different oscillation speed. Marr and Porter would adjust each by hand while the music played to keep it in rhythm; when they failed, engineer Mark Wallis would rewind the ...