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The obtained measurements of Maitum jars without its anthropomorphic lid has the height of 43.5 cm, widest diameter of 36 cm, widest mouth diameter of 30 cm and a thickness of 0.7 cm. The shape was more of the torso of a male body. From the shoulder to the elbow, the arms measure 12 cm and, consequently, 17 cm from the elbow to the fingers.
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A side altar from the St. Nicholas de Tolentine Parish in Dimiao, Bohol. [21] The retablo with traces of vibrant polychrome was made by an unknown master. From the Dimiao catholic church in Bohol, Philippines NMP Declaration No. 6-2011: 2011
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Manunggul Jar displayed at Philippine National Museum of Anthropology. The Manunggul Jar is widely acknowledged to be one of the finest Philippine pre-colonial artworks ever produced and is considered a masterpiece of Philippine ceramics. It is listed as a national treasure and designated as item 64-MO-74 [3] by the National Museum of the ...
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Earthenware vessels in the Philippines were formed by two main techniques: paddle and anvil, and coiling and scraping. [2] Although a level of highly skilled craftsmanship is present in the Philippines, no evidence of kilns are found, primarily because the type of clay to be found in the archipelago can only withstand relatively low temperatures of firing.
Grave goods are utilitarian and ornamental objects buried with the deceased."Pabaon", as present day Filipinos know, is the tradition of including the priced possessions or items of the dead to its grave because of the belief that these things might be helpful to the deceased as it travels to the life after death.