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The scroll in art is an element of ornament and graphic design featuring spirals and rolling incomplete circle motifs, some of which resemble the edge-on view of a book or document in scroll form, though many types are plant-scrolls, which loosely represent plant forms such as vines, with leaves or flowers attached.
Confederate jasmine with flowers Bower vine's showy flowers Mandevilla trailing on trellis Oceanblue morning glory German ivy creeping on ground. Actinidia arguta, the tara vine; Actinidia polygama, the silver vine; Adlumia fungosa, the Allegheny vine; Aeschynanthus radicans, the lipstick vine; Akebia quinata, five leafed chocolate vine
Smilax rotundifolia, also known as roundleaf greenbrier [2] or common greenbrier, is a woody vine native to the southeastern and eastern United States and eastern Canada. [1] [3] [4] It is a common and conspicuous part of the natural forest ecosystems in much of its native range.
The concept of hanakotoba (花言葉) is the Japanese form of the language of flowers, wherein plants are given specific coded meanings, varying based on the colour of the flowers, the presence of thorns within the height of tall plants, the combination of flowers used in garlands and the different types of flowers themselves, amongst other ...
Chrysanthemum flower Symbol of autumn and longevity [3] Hibiscus Lotus Lotus flower [19] Narcissus Osmanthus Osmanthus blossom [19] Peach Peach blossom [19] Spring and happiness. [3] Peony [19] Peony flower Associated with royalty. [3] It is also called “flower of rank and honour"; honours means attaining high rank, an official position or ...
Georgia O'Keeffe, Untitled, vase of flowers, watercolor on paper, 17 + 3 ⁄ 4 in × 11 + 1 ⁄ 2 in (45.1 cm × 29.2 cm), between 1903 and 1905 O'Keeffe experimented with depicting flowers in her high school art class.
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Bird-and-flower painting by Cai Han and Jin Xiaozhu, c. 17th century.. The huaniaohua is proper of 10th century China; and the most representative artists of this period are Huang Quan (哳㥳) (c. 900 – 965), who was an imperial painter for many years, and Xu Xi (徐熙) (937–975), who came from a prominent family but had never entered into officialdom.