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Not every plot has a twist, but some have multiple lesser ones, and some are defined by a single major twist. Since the effectiveness of a plot twist usually relies on the audience's not having expected it, revealing a plot twist to readers or viewers in advance is commonly regarded as a spoiler. Even revealing the fact that a work contains ...
Typically, the conclusion of a plot, including the climax and ending, is regarded as highly susceptible to spoilers. Plot twists are also prone to spoilers. Any narrative medium can produce spoilers, although they are usually associated with movies and television shows.
A false protagonist is presented at the start of the fictional work as the main character, but then is eradicated, often by killing them (usually for shock value or as a plot twist) or changed in terms of their role in the story (i.e. making them a lesser character, a character who leaves the story, or revealing them to actually be the antagonist).
In this sense, each narrative thread is the narrative portion of a work that pertains to the world view of the participating characters cognizant of their piece of the whole, and they may be the villains, the protagonists, a supporting character, or a relatively disinterested official utilized by the author, each thread of which is woven ...
Development (shō): follows leads towards the twist in the story. No major changes so far. Twist (ten): the story turns toward an unexpected development. This is the crux of the story, the yama (ヤマ) or climax. If the narrative takes several turns, this is the biggest one. Conclusion (ketsu), also called ochi (落ち) or ending, wraps up the ...
The plot comes together when Oedipus realizes that he is the son and murderer of Laius as well as the son and husband of Jocasta. Martin M. Winkler says that here, peripeteia and anagnorisis occur at the same time "for the greatest possible impact" because Oedipus has been "struck a blow from above, as if by fate or the gods.
The use of a MacGuffin as a plot device predates the name MacGuffin. The Holy Grail of Arthurian legend has been cited as an early example of a MacGuffin. The Holy Grail is the desired object that is essential to initiate and advance the plot, but the final disposition of the Grail is never revealed, suggesting that the object is not of significance in itself. [8]
Plot armor is a plot device wherein a fictional character is preserved from harm due to their necessity for the plot to proceed. [1] The Oxford English Dictionary identified the term as originating in the 2000s, with its first reported use on the Usenet forum alt.games.dur-trs-trap. [ 2 ]