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John Luther Adams (born January 23, 1953) is an American composer whose music is inspired by nature, especially the landscapes of Alaska, where he lived from 1978 to 2014. [1] His orchestral work Become Ocean was awarded the 2014 Pulitzer Prize for Music. [2]
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It is often "peaceful" sounding and lacks composition, beat, and/or structured melody. [5] It uses textural layers of sound that can reward both passive and active listening [6] and encourage a sense of calm or contemplation.
"Notion" is about immortality. The opening lines, "Sure it's a calming notion, perpetual in motion, but I don't need the comfort of any lies" And the ending lines, “Sure it’s a calming notion, but it’s a lie” Describe how thoughts of immortality calm people, though what they tell might not be true.
'I've loved the good times here' is a sendoff worthy of the 'dying world' Ocean calls home." [29] Ocean performed his cover of the song during his 2011 Nostalgia Ultra tour, and his 2012 Channel Orange tour through North America. [30] [31] Complex praised his performance, writing that Ocean's "voice sounds as buttery live as it does on record ...
Koyaanisqatsi [b] is a 1982 American non-narrative documentary film directed and produced by Godfrey Reggio, featuring music by Philip Glass and cinematography by Ron Fricke. Described as an "essay in images and sound on the state of American civilization", [ 6 ] the film comprises a montage of stock footage , slow motion , and time-lapse ...
The song's chorus is widely known and appears in many children's songbooks. The preceding verses are little known. It appears in Disney's 1961 Goofy short Aquamania. The song also appears on Disney's "Sing Along Songs" Volume 6 - 'Under The Sea' which also features the Sailor's Hornpipe during which Ludwig Von Drake is setting off on a cruise ...
Calm Sea and Prosperous Voyage (Meeresstille und glückliche Fahrt), Op. 27, is an orchestral concert overture by Felix Mendelssohn inspired by the same pair of poems by Johann Wolfgang von Goethe that inspired Beethoven's 1815 cantata of the same title (and in the same key, D major).
In 1995, David Toop published his second book, Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds, which examined music as a medium for deep mental involvement. [1] In the book, Toop said that ambient music can be defined as music listened for relaxation or music that "taps into the disturbing, chaotic undertow of the environment". [2]