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To the Sound of the Mambo (Spanish: Al son del mambo) is a 1950 Mexican musical film directed by Chano Urueta and starring Amalia Aguilar, Adalberto Martínez and Rita Montaner. [1] The film's sets were designed by the art director Ramón Rodríguez Granada. It was shot at the Churubusco Studios in Mexico City and on location in Havana.
The album includes Prado's Mambo No. 5. In December 1950, Bob Goddard in the St. Louis Globe-Democrat described the album as "scorching" and concluded: "It's utterly impossible to sit still while any of this is going on." [1] In a 2024 ranking of the 600 greatest Latin American albums, Pérez Prado Plays Mucho Mambo for Dancing was ranked No ...
Dámaso Pérez Prado (December 11, 1916 – September 14, 1989) [nb 1] was a Cuban bandleader, pianist, composer and arranger who popularized the mambo in the 1950s. [2] His big band adaptation of the danzón-mambo proved to be a worldwide success with hits such as "Mambo No. 5", earning him the nickname "The King of the Mambo".
Many of his best films he made were El Rey de México El Oreja Rajada (The King of Mexico), El Cartero del Barrio, Al son del mambo (To the Mambo's Rhythm) and El Futbolista Fenómeno (The Phenomenal Soccer Player). But one of his most famous movies was La Niña de la Mochila Azul (The Girl With the Blue Back Pack).
From the Can-Can to the Mambo (Spanish: Del can-can al mambo) is a 1951 Mexican musical comedy film directed by Chano Urueta and starring Joaquín Pardavé, Abel Salazar and Rosita Fornés. [1] [2] It was shot at the Churubusco Studios in Mexico City. The film's sets were designed by the art director Manuel Fontanals.
The song was firstly written by Federica Abbate, Alfredo "Cheope" Rapetti and Rocco Pagliarulo, and then produced and rewritten by Boomdabash. [3] [4] "Mambo salentino" is the second collaboration between Amoroso and Boomdabash after "A tre passi da te" (2015); [5] [6] the group explained the decision to collaborare with the singer: [7]
Aguilar filmed 23 movies in just 10 years alongside figures such as Buster Keaton (El colmillo de Buda, 1949), Sara García (Novia a la medida, 1949), Rita Montaner (Ritmos del Caribe, 1950), Adalberto Martínez "Resortes" (Al son del mambo, 1950), Prudencia Grifell (Los huéspedes de la Marquesa, 1950), Elvira Quintana (Las viudas del Cha Cha ...
El "Chucho" was so impressed with Benny's musical ability that he referred to him as "El Bárbaro del Ritmo". Moré and other performers such as Amalia Aguilar appeared as themselves in the Ernesto Cortázar-directed 1949 film En cada puerto un amor , a film in the musical comedy and drama genres.