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Adam and Eve is a pair of paintings by German Renaissance master Lucas Cranach the Elder, dating from 1528, [1] housed in the Uffizi, Florence, Italy. The two biblical ancestors are portrayed, in two different panels, on a dark background, standing on a barely visible ground. Both hold two small branches which cover their sexual organs.
C. L. Moore's 1940 story Fruit of Knowledge is a re-telling of the Fall of Man as a love triangle between Lilith, Adam and Eve – with Eve's eating the forbidden fruit being in this version the result of misguided manipulations by the jealous Lilith, who had hoped to get her rival discredited and destroyed by God and thus regain Adam's love.
Pages in category "Cultural depictions of Adam and Eve" The following 110 pages are in this category, out of 110 total. This list may not reflect recent changes .
The flaming sword is an attribute of both Jophiel and Uriel. According to the Bible , a flaming sword ( Hebrew : להט החרב lahat chereb or literally "flame of the whirling sword" Hebrew : להט החרב המתהפכת lahaṭ haḥereb hammithappeket ) was entrusted to the cherubim by God to guard the gates of Paradise after Adam and Eve ...
Two paintings from the early 1950s, for example, are called Adam and Eve. There is also Uriel (1954), and Abraham (1949), a very dark painting which, as well as being the name of a biblical patriarch, was the name of Newman's father, who had died in 1947.
[23] The Life of Adam and Eve lists him with the archangels Michael, Gabriel, Uriel, and Joel, and the medieval Jewish philosopher Maimonides included his name in his Jewish angelic hierarchy. In Midrash Konen, it is revealed that Raphael was originally once named Libbiel [24] [25] (Hebrew: לִבִּיאֵל Lībbīʾēl; Meaning: "God is my ...
[Albrecht Dürer of Nuremberg made this 1504] References: Bartsch's Le Peintre Graveur, 1 (Grav.Cuivre) Dürer catalog: a manual about Albrecht Dürer's engravings, etchings, woodcuts, their conditions, editions and watermarks, 1
Adam and Eve is a c. 1538 oil on limewood painting by Lucas Cranach the Elder, [1] [2] [3] acquired in 1949 from the Cistercian monastery in Osek near Duchcov, now in the National Gallery Prague. It is part of a series of works showing the fall of man produced by that artist, including others now in Besançon (c. 1508–1510) and in Florence ...