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"Look Into My Eyes", the first commercial single from the Batman & Robin soundtrack, aims for a hypnotic darkness but ultimately feels tired and trite: spiritless voices dragging themselves through formless tempo shifts over a beatless background blur". [2] AllMusic critic gave the single 1.5 out of five stars.
You need those kind of sides." [4] "Tell Me What You See" has been described as a folk rock song, [5] foreshadowing the direction of the Beatles' next album, Rubber Soul. [6] It is in the key of G major and is in common time. [7] The song's second verse draws from a religious motto hung in Lennon's childhood home with his aunt Mimi Smith. [8]
The band's When You Look Me in the Eyes Tour was named after the song, their most current single at the time of the tour. The song was released as the first single on the band's third album A Little Bit Longer in Japan, re-titled in Japanese as "Mitsumeau Koi" ( 見つめあう恋 , "Love Is Watching Each Other" ) .
"Look in My Eyes" is a song written by Richie Barrett and performed by the American R&B female group The Chantels. It peaked at #14 on the Billboard Hot 100 and at #6 on the Hot R&B Sides in 1961. Weekly charts
"I've Just Seen a Face" is in the key of A major and is in 2/2 (). [20] [21] [note 3] The song begins with a ten measure intro. [20]Split into three phrases, [20] the intro uses triplets that are slower than the rest of the song to create a sense of acceleration, [23] reinforced by a shortened third phrase which quickens the first verse's arrival. [20]
"Look into My Eyes" (Bone Thugs-n-Harmony song), 1997 "Look into My Eyes" (Fayray song), 2004 "Look into My Eyes" (George Lamond song), 1990 "Look into My Eyes", by Benzino from the 2005 album Arch Nemesis
Long before “Dress” was released, Taylor Swift ventured into a more sultry side of herself lyrically with Speak Now (Taylor's Version) vault track “I Can See You.” Here, the lyrics.
"When I Look into Your Eyes" is the sixth single released by American rock band FireHouse. The song, a power ballad, [2] [3] became the band's second hit ballad, reaching No. 8 on the Billboard Hot 100 for the week ending October 17, 1992. [4] The song peaked at number 65 on the UK Singles Chart for the week ending December 19, 1992. [5]