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List of songs recorded by the Beatles; The Beatles albums discography; The Beatles videography; Outline of the Beatles; The Beatles timeline; Apple Records discography, the albums and singles of the Beatles' record label, many of which had involvement by members of the Beatles; The Beatles bootleg recordings; The Beatles' recording sessions
The song's bluesy feel is accentuated by the addition to the minor pentatonic scale of a ♭ 7 note on each of the I (D7), IV (G7) and V (A7) chords. [ 19 ] [ nb 1 ] Harrison opts for a popular variant within the twelve-bar blues formula, by moving briefly to the IV chord for the second bar, rather than remaining on I until the fifth bar.
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The song was McCartney's attempt to create a sound as loud and dirty as possible. It is regarded as a key influence in the early development of heavy metal. In 1976, the song was released as the B-side of "Got to Get You into My Life" in the United States, to promote the Capitol Records compilation Rock 'n' Roll Music.
[7] Rolling Stone stated that "It Won't Be Long" was "the kind of song Bob Dylan had in mind when he wrote that Beatles chords were 'outrageous, just outrageous.'" [8] With its composers not being versed in musical theory, the song incorporates chords it "shouldn't", being in the key of E but veering off into D, C and F♯, and "a hybrid of D ...
With vari-speed having been applied throughout the recording process, the song's key is around E flat major. [18] According to Martin, "Lovely Rita" and " When I'm Sixty Four " were the songs that would have been cut from Sgt. Pepper had the Beatles not been pressured into issuing " Strawberry Fields Forever " and " Penny Lane " as a non-album ...
The chords used in the introduction (E throughout) and chorus (B, F ♯, E and E 7) suggest a key of B major. [14] In musicologist Walter Everett's description, however, the B chord "reveals itself to be the V of V of A" once the verse is heard for the first time. [15] The key change to D major occurs midway through the second verse, for the ...
"She Said She Said" is in the key of B ♭ Mixolydian, based on three chords: B ♭ (I), A ♭ (♭ VII), and E ♭ (IV). [37] The key centre shifts to E ♭ major during the bridge sections by means of an F minor (v) chord, a pivot chord that the Beatles had used to modulate to the subdominant before on " From Me to You " and " I Want to Hold ...