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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
A C-clef on the first line of the staff is called the soprano clef. It was used for the right hand of keyboard music (particularly in France – see Bauyn manuscript), in vocal music for sopranos, and sometimes for high viola da gamba parts along with the alto clef. It was used for the second violin part ('haute-contre') in 17th century French ...
Viola: viola, orig. Latin vitulari "be joyful" A medium-sized stringed instrument Viola d'amore: love viola: A tenor viol with no frets Viola da braccio: arm viola: A stringed instrument held in the arm, such as a violin or viola Viola da gamba: leg viola: A stringed instrument held between the legs Violoncello Violoncello was the original name ...
Music that is written for the viola primarily uses the alto clef, which is otherwise rarely used. Viola music employs the treble clef when there are substantial sections of music written in a higher register. The alto clef is defined by the placement of C 4 on the middle line of the staff. [15]
Braille music is a complete, well developed, and internationally accepted musical notation system that has symbols and notational conventions quite independent of print music notation. It is linear in nature, similar to a printed language and different from the two-dimensional nature of standard printed music notation.
The first recognised use of pizzicato in classical music is found in Tobias Hume's Captain Humes Poeticall Musicke (1607), wherein he instructs the viola da gamba player to use pizzicato ('thumpe'). Another early use is found in Claudio Monteverdi 's Il combattimento di Tancredi e Clorinda (around 1638), in which the players are instructed to ...
In musical terminology, divisi, or as typically printed “div.,” is an instruction to divide a single section of instruments into multiple subsections. [1] This usually applies to the violins of the string section in an orchestra, although violas, cellos, and double basses can also be divided. [2]
Hauptstimme (first violin) and Nebenstimme (viola) marked in Arnold Schoenberg's Fourth String Quartet, mm. 27–31. [1] Play ⓘ. In music, Hauptstimme (German for primary voice) or Hauptsatz is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to Nebenstimme.