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Saint Luke painting the Virgin (German and Dutch: Lukas-Madonna) is a devotional subject in art showing Luke the Evangelist painting the Virgin Mary with the Child Jesus. Such paintings were often created during the Renaissance for chapels of Saint Luke in European churches, and frequently recall the composition of the Salus Populi Romani , an ...
The inscription shows that Heemskerck painted the painting as much for his colleagues in the Haarlem Guild of St. Luke as for the memory of St. Luke. The various disciplines reflected in the guild at that time were painting, sculpture, pottery, wood carving, gold- and silversmith work, painting supplies, and the arts of draughtsmanship, perspective drawing, engraving and painting itself.
It acts as a tribute to his own ability, as a measure of his skill against van Eyck, and as a case for the legitimacy of the craft of painting. [8] By portraying himself as St Luke in the act of drawing rather than painting, De Vries believes van der Weyden reveals an "artistic consciousness by commenting upon artistic traditions and by doing ...
Saint Luke Painting the Virgin (Giordano) H. St Luke (Hals) J. The Four Evangelists (Jordaens) M. Madonna and Child with Saints Luke and Catherine of Alexandria; S.
The painting shows St. Luke sitting at a desk reading with an ox at his elbow. [1] This painting was documented in the 18th century but was considered lost until the 1950s, when two tronies were discovered languishing in the storerooms of the Odesa Museum of Western and Eastern Art in 1958 by art historian Irina Linnik. At the time they were ...
The Madonna and Child with Saints Luke and Catherine of Alexandria, also known simply as Holy Conversation, is a painting by the Italian Renaissance master Titian. It is one of his several versions of the canonical image of the Madonna and Child. Executed in oil on canvas, it was painted around 1560, at the height of Titian's career.
Saint Luke Drawing the Virgin, c. 1435–1440. 137.5 x 110.8cm. Museum of Fine Arts, Boston. This was the classic subject for paintings given to the guilds. The Guild of Saint Luke was the most common name for a city guild for painters and other artists in early modern Europe, especially in the Low Countries.
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