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Nat and Cannonball Adderley in Amsterdam, 1961. By the end of the 1960s, Adderley's playing began to reflect the influence of electric jazz. In this period, he released albums such as Accent on Africa (1968) and The Price You Got to Pay to Be Free (1970).
Cannonball Takes Charge: Riverside 1959 1959-10-18, -20 The Cannonball Adderley Quintet in San Francisco: Riverside 1959 Live 1960-02-01 1960-03-29 Them Dirty Blues: Riverside 1960 1960-05-21 1960-06-05 Cannonball Adderley and the Poll-Winners – with Wes Montgomery: Riverside 1960 1960-10-16 The Cannonball Adderley Quintet at the Lighthouse ...
1960s in jazz: Music: 1960 in music: ... 16 – The Cannonball Adderley Quintet records At the Lighthouse at the ... This list of songs or music-related items is ...
The AllMusic review by Al Campbell awarded the album 4 stars, stating: "Recorded in early 1960, Them Dirty Blues contains two classic jazz compositions." [2] The Penguin Guide to Jazz awarded the album 3⅓ stars, noting: "Them Dirty Blues debuts Nat's 'Work Song' in the band's book, as well as Bobby Timmons's 'Dat Dere'."
It's a strong introduction to the music of this classic hard bop group". [2] The Penguin Guide to Jazz awarded the album 4 stars, stating: " At the Lighthouse , which marked Vic Feldman's arrival in the group, is a near-classic, opening on the immortal version of 'Sack O' Woe' and steaming through a vintage Adderley set in front of a cheering ...
The Allmusic review by Ron Wynn states "Nat Adderley has seldom played with more fire, verve, and distinction as he does on That's Right!". [2] The Penguin Guide to Jazz awarded the album 3½ stars stating "That's Right is a bit of an oddity, with Nat's cornet placed in front of what was billed, quite accurately, as the Big Sax Section".
The song was first recorded by Bobby Timmons in his debut album This Here Is Bobby Timmons (January 1960), and shortly thereafter by the Cannonball Adderley Quintet on the album Them Dirty Blues (February 1960) and by Art Blakey and the Jazz Messengers on the album The Big Beat (March 1960), with Timmons as pianist on both recordings.
The Sextet is a live album by the jazz saxophonist Cannonball Adderley recorded in 1962-63 but not released by the Milestone label until 1982 and featuring performances by Adderley with Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes recorded in San Francisco and Japan.