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The Vitruvian Man (Italian: L'uomo vitruviano; [ˈlwɔːmo vitruˈvjaːno]) is a drawing by the Italian Renaissance artist and scientist Leonardo da Vinci, dated to c. 1490.
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Leonardo da Vinci's Vitruvian Man, the most famous work of the Gallery, is not displayed for visitors, except on very rare occasions. See also: Category:Collection of the Gallerie dell'Accademia The Gallerie dell’Accademia contains masterpieces of Venetian painting up to the 19th century, generally arranged chronologically though some ...
Homage to Leonardo, sometimes referred to as Vitruvian Man for being a representation of the drawing of the same name by Leonardo da Vinci, [1] is an outdoor statue by Italian sculptor Enzo Plazzotta, located at Belgrave Square in central London, United Kingdom. The statue was completed posthumously by Plazzotta's assistant Mark Holloway in ...
West German stamp commemorating Leonardo's 500th birthday Leonardo da Vinci medal Metal Vitruvian Man. Leonardo da Vinci (April 15, 1452 – May 2, 1519) was an Italian Renaissance painter and polymath who achieved legendary fame and iconic status within his own lifetime.
Vitruvian Man c. 1492 by Leonardo da Vinci. Based on proportions identified by Vitruvius, the drawing shows a man where the arm span is equal to the height, giving an ape index of 1. Ape index, ape factor, [1] or gorilla index is slang or jargon used to describe a measure of the ratio of an individual's arm span relative to their height.
The order of words chosen by Vitruvius, with structural integrity coming before the utility, can be explained in two ways. Either the emphasis on firmness was driven by an understanding of architecture as an "art of building", or by the fact that buildings frequently outlive their initial purpose, so "functions, customs, ... and fashions ... are only transitory" (Auguste Perret), and ...
A Vitruvian Man prototype by Giacomo Andrea, 1480s. Luca Pacioli wrote that Giacomo Andrea was almost like a brother to Leonardo da Vinci. Giacomo Andrea, active by the 1480s, drew a prototypical Vitruvian Man which may have served as the basis for Leonardo's drawing, or have been conceived alongside it as a collaborative effort. [1]