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"Lesbian Request Denied" is the third episode of the first season of the American comedy-drama series Orange Is the New Black (OITNB), based on Piper Kerman's memoir, Orange Is the New Black: My Year in a Women's Prison (2010), regarding her time at FCI Danbury, a minimum-security federal prison.
Based on Piper Kerman’s 2010 memoir, Orange Is the New Black: My Year in a Women's Prison, the series follows PR exec Piper Chapman (Schilling) as she adjusts to life in a minimum-security women ...
Laverne Cox (born May 29, 1972) is an American actress and LGBT advocate. [3] [4] [5] She rose to prominence with her role as Sophia Burset on the Netflix series Orange Is the New Black, becoming the first transgender person to be nominated for a Primetime Emmy Award in an acting category, [6] [7] and the first to be nominated for an Emmy Award since composer Angela Morley in 1990. [8]
Orange Is the New Black (sometimes abbreviated to OITNB) is an American comedy-drama television series created by Jenji Kohan for Netflix. [1] [2] The series is based on Piper Kerman's memoir Orange Is the New Black: My Year in a Women's Prison (2010), about her experiences at FCI Danbury, a minimum security federal prison. [3]
Netflix on Monday released the first footage from Season 6 of Orange Is the New Black, revealing the return of one fan-favorite character and the disappearance of another. As you’ll recall ...
Orange Is the New Black is an American comedy-drama television series created by Jenji Kohan, which premiered on July 11, 2013, on Netflix. The series, based on Piper Kerman's memoir Orange Is the New Black: My Year in a Women's Prison (2010), follows Piper Chapman (Taylor Schilling). A happily engaged New Yorker, Chapman is suddenly sent to a women's federal prison for transporting a suitcase ...
The Dow jumped 700 points and the Nasdaq gained more than 2% as investors cheered encouraging inflation data and a strong start to earnings season.
The site's critical consensus reads: "Orange is the New Black is back and better than ever, with a powerful fourth season full of compelling performances by the ensemble cast." [ 5 ] James Poniewozik of The New York Times reviewed the fourth season as "Do you measure the quality of a TV season as a beginning-to-end average or by how well it ends?