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The song was adapted for a British music hall version called "Down at the Old Bull and Bush", written for Florrie Forde and made popular by her. [4] [a] Where the Wurzburger Flows was a beer garden hit for Von Tilzer in 1902. The tune was adapted for the political parody song "Down At The Old Watergate" during the Watergate scandal. [6]
A church key beer opener "Church Key" is an instrumental single that was released by California surf group The Revels on Tony Hilder's Impact Records label in 1960. It was a hit for the group and later a hit for Dave Myers and his Surf-Tones. The title refers to the slang use of "church key" to mean a device for opening beer cans or beer bottles.
An 18th century drinking song. A drinking song is a song that is sung before or during alcohol consumption. Most drinking songs are folk songs or commercium songs, and may be varied from person to person and region to region, in both the lyrics and in the music. In Germany, drinking songs are called Trinklieder.
The official video for the song was filmed at the Town and Country Hotel and starts with Duncan Urquhart sitting to Dusty's left and Pat Alexander to Dusty's right. [6] The song climbed the Australian charts, hitting No. 1 on the Kent Music Report singles chart for 16 February 1981 and 23 February 1981. [10]
The title of the song states a reason for drinking beer while you are still alive. The song in German is "Im Himmel gibt's kein Bier", in Spanish, "En El Cielo No Hay Cerveza". [1] It was originally composed as a movie score for the film Die Fischerin vom Bodensee, 1956, by Ernst Neubach and Ralph Maria Siegel. [2] The English lyrics are ...
It is the first collaboration between Rice and Florida Georgia Line since they co-wrote the latter's 2012 country music hit "Cruise".[2]Rice told Radio.com he wrote the song with Cale Dodds, Hunter Phelps and Corey Crowder, and mentioned: “We wrote this song before the COVID-19 pandemic, which is crazy because it's almost like God was intervening in the song, said that, ‘Hey y’all, get ...
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And this one feels like, no pun intended, an open door. It feels like an invitation." [3] Polachek said that "Door" was the most difficult track on the album to create, saying "I almost gave up on 'Door' so many times. I couldn't crack it. It started out as a simple song with just a chorus-verse-chorus. I felt like it needed to transform more.