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In the late 19th century, there was discussion over whether or not women should wear open drawers. Dr. E. R. Palmer wrote against their use: [4] I saw in a paper the other day that ladies in a Canadian city had a grand convention, and had celebrated their magnificent resolve by building in a public square a bonfire, being fed by the corsets they had been wearing.
Western wear is a category of men's and women's clothing which derives its unique style from the clothes worn in the 19th century Wild West. It ranges from accurate historical reproductions of American frontier clothing, to the stylized garments popularized by Western film and television or singing cowboys such as Gene Autry and Roy Rogers in ...
The technology, art, politics, and culture of the 19th century were strongly reflected in the styles and silhouettes of the era's clothing. For women, fashion was an extravagant and extroverted display of the female silhouette with corset pinched waistlines, bustling full-skirts that flowed in and out of trend and decoratively embellished gowns ...
These 1795–1820 fashions were quite different from the styles prevalent during most of the 18th century and the rest of the 19th century when women's clothes were generally tight against the torso from the natural waist upwards, and heavily full-skirted below (often inflated by means of hoop skirts, crinolines, panniers, bustles, etc.). Women ...
In the Republic of China in the early 20th century, qipao, a dress that shows the legs but no cleavage, became so popular many Chinese women consider it as their national dress. [ 121 ] [ 122 ] Male cleavage (also known as "heavage"), a result of low necklines or unbuttoned shirts, has been a movie trend since the 1920s.
They were most popular from the 1910s to the 1930s but continued to be worn by older women for several decades thereafter. More recently, the term bloomers has often been used interchangeably with the pantalettes worn by women and girls in the early 19th century and the open-leg knee-length drawers of the mid 19th and early 20th centuries.
The style spread as an "anti-fashion" called Artistic dress in the 1860s in literary and artistic circles, died back in the 1870s, and reemerged as Aesthetic dress in the 1880s, where two of the main proponents were the writer Oscar Wilde and his wife Constance, both of whom gave lectures on the subject. In 1881 The Rational Dress Society was ...
[5] [6] His "Style Sultane" included the jupe-culotte or harem pant, made with full legs tied in at the ankle. [4] Alternative names for the harem skirt/pants included jupe-sultane (sultan skirt), and jupe-pantalon (trouser-skirt). [5] These designs were seen as controversial as Western women typically did not wear trousers.