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From the Can-Can to the Mambo (Spanish: Del can-can al mambo) is a 1951 Mexican musical comedy film directed by Chano Urueta and starring Joaquín Pardavé, Abel Salazar and Rosita Fornés. [1] [2] It was shot at the Churubusco Studios in Mexico City. The film's sets were designed by the art director Manuel Fontanals.
The following year-end charts were elaborated by Mejía Barquera, based on weekly charts that were published on the magazine Selecciones musicales as compiled on Roberto Ayala's 1962 book "Musicosas: manual del comentarista de radio y televisión"; those charts were, according to Ayala, based on record sales, jukebox plays, radio and television airplay, and sheet music sales [a]. [6]
Rodríguez produced his own television show called "El Show de Tito Rodríguez" which was transmitted through San Juan's television Channel 7 (whose call letters were WRIK-TV at the time). Among the guest stars that appeared on his show were Sammy Davis Jr. , Tony Bennett , Shirley Bassey , Roberto Clemente and Orlando Cepeda .
Cuando baja la marea (1949) Café de chinos (1949) as Enrique; The Great Madcap (1949) as Eduardo de la Mata; La virgen desnuda (1950) Un grito en la noche (1950) El sol sale para todos (1950) Te besaré en la boca (1950) Yo quiero ser tonta (1950) as Juan; La reina del mambo (1951) as Luis; The Cry of the Flesh (1951) as Roberto
To the Sound of the Mambo (Spanish: Al son del mambo) is a 1950 Mexican musical film directed by Chano Urueta and starring Amalia Aguilar, Adalberto Martínez and Rita Montaner. [1] The film's sets were designed by the art director Ramón Rodríguez Granada. It was shot at the Churubusco Studios in Mexico City and on location in Havana.
Cuando calienta el sol" (meaning When the sun heats (or warms) up) is a popular Spanish language song originally composed as "Cuando calienta el sol en Masachapa", Masachapa being a coastal town in Nicaragua. The music was written by Rafael Gaston Perez, a Nicaraguan songwriter and bandleader.
El Barbaro del Ritmo with Perez Prado and Rafael De Paz (Victor, 1962; recorded 1949–1951) Homenaje póstumo (Discuba, 1963; recorded 1960) Benny More Y Su Orquesta... (Palma, 1964) Recordando (RCA Camden, 1964) Lo Mejor de Beny Moré (RCA, 1965) La Época De Oro Vol.II (RCA, 1969) y Su Salsa de Siempre (RCA, 1978) Grandes Exitos (Darcole ...
In the 2000s, Cachao achieved three more Grammys in the Tropical Latin Album category. Although the first one was awarded for a jazz album, El Arte del Sabor (2001), with Bebo Valdés and Carlos "Patato" Valdés, the other two consisted of descargas, Ahora sí! (2004) and his posthumous release The Last Mambo (2011), recorded in September 2007 ...