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Novella for alto saxophone and piano (1991)—Howard J. Buss; Sonata brevis for Alto Saxophone and Piano (1991)—Bertold Hummel; Chant (1991)—Augusta Read Thomas; Fuzzy Bird Sonata for Alto Saxophone and Piano (1991)—Takashi Yoshimatsu; Sonate for Alto Saxophone and Piano (1993)—Jindřich Feld; Vocalise for Alto Saxophone and Piano (1994 ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Despite being a common grouping in jazz, saxophone, piano and percussion was an extremely rare grouping in classical music until the end of the 20th century, when Trio Accanto started commissioning works to build a repertoire for themselves.
The Library of Congress: Historic American Sheet Music: 1850–1920: American: 3,042 19th and early 20th-century American sheet music drawn from the Rare Book, Manuscript, and Special Collections Library at Duke University. The Library of Congress: The Library of Congress: Music for the Nation: American Sheet Music 1870–1885: 19th-century ...
As with most saxophones, the alto's written range is B ♭ 3 to F 6 (or F ♯ 6), [1] with the higher altissimo register starting at F ♯ 6 (or G 6).The saxophone's altissimo register is more difficult to control than that of other woodwinds and is usually only expected from advanced players.
In music, a glissando (Italian: [ɡlisˈsando]; plural: glissandi, abbreviated gliss.) is a glide from one pitch to another (Play ⓘ). It is an Italianized musical term derived from the French glisser, "to glide". In some contexts, it is equivalent to portamento, which is a continuous, seamless glide between notes. In other contexts, it refers ...
The music in Scaramouche is taken from incidental music that Milhaud composed for two plays. The first and third movements are inspired by themes composed for Henri Pascar's production of an adaptation of Molière's Le Médecin volant (The Flying Doctor); [1] [2] [3] it is from here that Scaramouche gets its name, as Pascar's group of players was named the Théatre Scaramouche.
When the soprano and alto are notated in one staff, all stems for the soprano go up, and all for the alto go down. Similarly, when the tenor and bass are notated in one staff, the upper voice is marked by stems up, and both voices are written in bass clef, while the tenor is usually written in treble clef marked an octave down if it has its own staff.