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Pulse is a 2006 American techno-horror film directed by Jim Sonzero from a screenplay co-written by Wes Craven, and starring Kristen Bell, Ian Somerhalder and Christina Milian. It is an English-language adaptation of Kiyoshi Kurosawa's 2001 Japanese film of the same name. The film was released by Dimension Films on August 11, 2006. It received ...
Pulse is a 1988 American science-fiction horror film written and directed by Paul Golding, drawing influence from previous works of science fiction and horror, and starring Cliff De Young, Roxanne Hart, Joseph Lawrence, Matthew Lawrence, and Charles Tyner. The film's title refers to a highly aggressive and intelligent pulse of electricity that ...
Pulse (回路, Kairo; "Circuit") is a 2001 Japanese techno-horror film written and directed by Kiyoshi Kurosawa. The film was screened in the Un Certain Regard section at the 2001 Cannes Film Festival. [4] The movie was well-received critically and has a cult following. [5]
Download QR code; Print/export Download as PDF; Printable version; In other projects Appearance. move to sidebar hide. ... Pulse (2006 film) Pulse (2001 film) Pulse 2 ...
Pulse 3 (also known as Pulse 3: Invasion) is a 2008 American horror film written and directed by Joel Soisson. Rider Strong and Brittany Finamore star as two people who begin chatting online in a post-apocalyptic society where technology is forbidden. It is a sequel to Pulse 2: Afterlife and the third and final installment of the Pulse trilogy.
Pulse 2: Afterlife (also known on-screen as Pulse 2) is a 2008 horror film. It is a straight-to-DVD sequel to the 2006 film Pulse . The film is written and directed by Joel Soisson .
The film was released on VHS and DVD on June 10, 2003. [7] The film received its Blu-ray release on September 11, 2012, through Echo Bridge Entertainment, in a double feature with another Wes Craven film, Cursed. [8]
It gave the film a score of 86%. [2] Norman Gidney of Film Threat gives a positive review, writing "Misgivings set aside; there is plenty to enjoy in Pulse. The deft direction from Cruz-Martin cuts nimbly back and forth between personal image and perception, allowing us to stay with our main character.