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Iron Maiden's management came across it while looking through Riggs' portfolio, [6] and asked him to add hair to the figure to make it look less punk-like. [5] The resulting picture was used for the debut album, Iron Maiden , released in 1980, and Riggs went on to work with Iron Maiden throughout the 1980s and into the '90s, creating many of ...
File:Iron Maiden - Brave New World.jpg; File:Iron Maiden - Iron Maiden.jpg; File:Iron Maiden - Live After Death DVD.jpg; File:Iron Maiden - Live After Death.jpg; File:Iron Maiden - Maiden Japan.jpg; File:Iron Maiden - No Prayer For The Dying.jpg; File:Iron Maiden - Piece Of Mind.jpg; File:Iron Maiden - Powerslave.jpg; File:Iron Maiden - Seventh ...
Some of the band's artworks have proved controversial, such as the cover of "Sanctuary," in which Eddie can be seen standing over the corpse of Margaret Thatcher. [22]It was claimed that Iron Maiden were banned from releasing the single without censoring the cover, blacking out Thatcher's face, although Riggs has since claimed that this was fabricated by the band's management to gain publicity ...
It was also the first Iron Maiden album to feature keyboards, after the band had introduced non-keyboard synth effects on their previous LP, Somewhere in Time (1986). After his contributions were rejected for Somewhere in Time , Seventh Son of a Seventh Son features several songs co-written by lead vocalist Bruce Dickinson , who states that his ...
A lifelong Iron Maiden fan, who drew much influence from Derek Riggs' artwork for them, Bradstreet described the opportunity as "one of my wildest dreams". [9] He had a tight schedule, receiving for reference the songs to listen to and key art done by Peacock Designs UK, who directed the booklet's artwork.
As with all of Iron Maiden's albums during the 1980s and early 1990s, the sleeve artwork was painted by Derek Riggs. The cover was originally created for the song "Purgatory", but manager Rod Smallwood deemed it of too high a calibre for the release of a mere single, and decided to save it for The Number of the Beast. [13]
He designed the album covers for Iron Maiden's Fear of the Dark, Virtual XI, Death on the Road, The Final Frontier and From Fear to Eternity, as well as the single "The Reincarnation of Benjamin Breeg", making him the only artist other than Derek Riggs and Mark Wilkinson to have been used to draw Eddie on more than one Iron Maiden album.
The cover for Somewhere in Time, created by the band's then-regular artist Derek Riggs, displays a muscular cyborg-enhanced Eddie in a futuristic, Blade Runner-inspired environment. [24] Much like the cover of Powerslave, the wraparound album cover holds a plethora of references to earlier Iron Maiden albums and songs, [25] such as: