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Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
The Cone Nebula, sometimes referred to as the Jesus Christ Nebula because of its resemblance to the popular depictions of Jesus with his hands in a prayer position.. People have been found to perceive images with spiritual or religious themes or import, sometimes called iconoplasms or simulacra, in the shapes of natural phenomena.
The latest image is a stark contrast to how He is portrayed in paintings and pictures who appears leaner with long flowy hair. Earlier this year a picture re-emerged that showed what Jesus might ...
The Institution of the Eucharist by Nicolas Poussin, 1640. In Christian theology, the term Body of Christ (Latin: Corpus Christi) has two main but separate meanings: it may refer to Jesus Christ's words over the bread at the celebration of the Jewish feast of Passover that "This is my body" in Luke 22:19–20 (see Last Supper), or it may refer to all individuals who are "in Christ" (1 ...
The Shroud of Turin is now the best-known example, though the Image of Edessa and the Veil of Veronica were better known in medieval times. [not verified in body] The representation of Jesus was controversial in the early period; the regional Synod of Elvira in Spain in 306 states in its 36th canon that no images should be in churches. [5]
Roman Catholic theology, reacting against the protestant concept of an invisible Church, emphasized the visible aspect of the Church founded by Christ, but in the twentieth century placed more stress on the interior life of the Church as a supernatural organism, identifying the Church, as in the encyclical Mystici corporis Christi of Pope Pius XII, with the Mystical Body of Christ. [14]
The Epitaphios (Greek: Ἐπιτάφιος, epitáphios, or Ἐπιτάφιον, epitáphion, meaning "upon the tomb"; Slavonic: Плащаница, plashchanitsa; Arabic: نعش, naash) is a Christian religious icon, typically consisting of a large, embroidered and often richly adorned cloth, bearing an image of the dead body of Christ, often accompanied by his mother and other figures ...
"the body and blood of Christ are so truly united to the bread and wine of the Holy Communion that the two may be identified. They are at the same time body and blood, bread and wine. ...In this sacrament the Lutheran Christian receives the very body and blood of Christ precisely for the strengthening of the union of faith." [10]