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An account of their collaboration appears in Di Giovanni's 2003 book, The Lesson of the Master. [ 7 ] [ 8 ] In an interview at the Massachusetts Institute of Technology in April 1980, Borges stated that Norman Thomas di Giovanni claimed his translations were better than Borges's originals, [ 9 ] an opinion Borges himself also shared.
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Nellie Campobello's Cartucho: Tales of the Struggle in Northern Mexico (Cartucho: Relatos de la lucha en el Norte de México) is a semi-autobiographical short novel or novella set in the Mexican Revolution and originally published in 1931. It consists of a series of vignettes that draw on Campobello's memories of her childhood and adolescence ...
The Roman historian Publius Cornelius Tacitus was a prolific ethnographer in antiquity. The term ethnography is from Greek (ἔθνος éthnos "folk, people, nation" and γράφω gráphō "I write") and encompasses the ways in which ancient authors described and analyzed foreign cultures.
[14] In Church Life Journal Michael Shindler in turn argued against Hägglund's notion of secular faith in favor of "the absolute sensibility" of religious faith. [15] In contrast, David Chivers in The Humanist heralded This Life as "an important work that pushes forward a secular, rational, and fulfilling view of humankind's place in the world."
Jackson is the founder of existential anthropology, a non-traditional sub-field of anthropology using ethnographic methods and drawing on traditions of phenomenology, existentialism, and critical theory, as well as American pragmatism, in exploring the human condition from the perspectives of both lifeworlds and worldviews, histories and biographies, collective representations and individual ...
Eric Lionel Mascall OGS (1905–1993) was a leading theologian and priest in the Anglo-Catholic tradition of the Church of England.He was a philosophical exponent of the Thomist tradition and was Professor of Historical Theology at King's College London (in the University of London).
El Criticón is a Spanish novel by Baltasar Gracián. It was published in three parts in the years 1651, 1653 and 1657. It is considered his greatest work and one of the most influential works in Spanish literature, along with Don Quixote and La Celestina. [1] El Criticón collects and expands his previous works. [2]