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Sharing their best eye-enhancing tricks they've perfected on photo shoots, red carpets and sold-out arenas, the secrets to faking wide-awake, doe-like eyes are right this way. Kendall Jenner eye ...
Extension or wide-angle distortion can be seen in images shot from close using a wide-angle lens (with an angle of view wider than a normal lens). Objects close to the lens appear abnormally large relative to more distant objects, and distant objects appear abnormally small and hence farther away – distances are extended.
[7] The rule of thirds suggests that the subject's eyes, as a centre of interest, are ideally positioned one-third of the way down from the top of the frame. [8] With a subject placed one-third of the way down from the top of the frame, the subject aligns with the proper headroom to make an image pleasing to the eye.
A normal shader (left) and an NPR shader using cel-shading (right). Non-photorealistic rendering (NPR) is an area of computer graphics that focuses on enabling a wide variety of expressive styles for digital art, in contrast to traditional computer graphics, which focuses on photorealism.
While there is no formal division between "wide-angle" and "panoramic" photography, "wide-angle" normally refers to a type of lens, but using this lens type does not necessarily make an image a panorama. An image made with an ultra wide-angle fisheye lens covering the normal film frame of 1:1.33 is not automatically considered to be a panorama.
Mirror images can be created and images can be horizontally flipped or vertically flopped. A small rotation of several degrees is often enough to level the horizon, correct verticality (of a building, for example), or both. Rotated images usually require cropping afterwards, in order to remove the resulting gaps at the image edges.
In an unsettling experiment, he proceeded to Photoshop The Donald's mouth over both of his eyes to see what would happen. And the result is extremely alarming -- because Trump looks EXACTLY the ...
Darkroom manipulation is a traditional method of manipulating photographs without the use of computers. Some of the common techniques for darkroom manipulation are dodging, burning, and masking, which though similar conceptually to digital manipulations, involve physical rather than virtual techniques.