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Albrecht Dürer's woodcut The Last Supper (1523) exemplifies the frontal composition that is customary for this subject. Tintoretto depicted the Last Supper several times during his artistic career. His earlier paintings for the Chiesa di San Marcuola (1547) and for the Chiesa di San Felice (1559) depict the scene from a frontal perspective ...
Shipley Art Gallery version Tintoretto's Last Supper on the left side of the altar at San Marcuola in Venice. The intended place for Christ Washing the Disciples' Feet was on the right side where now is Carlo Ridolfi's copy. The painting was created in 1548/1549 for a church in Venice. [1]
The Last Supper is the final meal that, in the Gospel accounts, Jesus shared with his apostles in Jerusalem before his crucifixion. [2] The Last Supper is commemorated by Christians especially on Holy Thursday. [3] The Last Supper provides the scriptural basis for the Eucharist, also known as "Holy Communion" or "The Lord's Supper". [4]
The Last Supper (1594) Tintoretto's pictorial wit is evident in compositions such as Saint George, Saint Louis, and the Princess (1553). He subverts the usual portrayal of the subject, in which Saint George slays the dragon and rescues the princess; here, the princess sits astride the dragon, holding a whip.
Last Supper, 538 × 487; The Loaves and Fishes, 523 × 475 cm; Resurrection of Lazarus, 541 × 356; Ascension, 538 × 325; Christ Heals the Paralytic or Piscina probatica, 533 × 529 cm; Temptation of Christ, 539 × 330 cm; Ceiling of the Sala delle Quattro Porte, 1578-1581, Palazzo Ducale, Venice Jupiter Proclaims Venus Queen of the Seas, 500 ...
Paris Olympics organizers apologized to anyone who was offended by a tableau that evoked Leonardo da Vinci’s “The Last Supper” during the glamorous opening ceremony, but defended the concept ...
The organizers found themselves in hot water over a tableau that seemed to evoke Leonardo da Vinci’s “The Last Supper” — with a decidedly modern twist. The scene, set against the backdrop ...
The Last Supper by Tintoretto still "in situ" in the church of San Marcuola in Venice. The work was commissioned in 1547 from Tintoretto for the Scuola del Santísimo Sacramento in the church of San Marcuola in Venice, together with a Last Supper, which is still in the church, painted between 1548 and 1549.