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This follows a convention observed in most paintings of the Last Supper, of which Leonardo da Vinci's late 1490s mural painting in Milan, Italy, is probably the best-known example. Tintoretto's painting of 1592–1594, a work of his final years, departs drastically from this compositional formula.
The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.
A comparison of Tintoretto's final The Last Supper—one of his nine known paintings on the subject— [44] with Leonardo da Vinci's treatment of the same subject provides an instructive demonstration of how artistic styles evolved over the course of the Renaissance. Leonardo's is all classical repose.
The famed mural was also closed to the public from Feb. 26-June 9, with the double closures resulting in an 80% drop in visitors last year from 2019’s record 445,728 Leonardo admirers.
The Last Supper has been a popular subject in Christian art. [1] Such depictions date back to early Christianity and can be seen in the Catacombs of Rome. Byzantine artists frequently focused on the Apostles receiving Communion, rather than the reclining figures having a meal. By the Renaissance, the Last Supper was a favorite topic in Italian ...
Paris Olympics organizers issued an apology on Sunday after a scene depicting the Greek god Dionysus drew criticism for allegedly mocking Leonardo da Vinci's painting “The Last Supper,” which ...