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In the main series, his corpse is controlled by Kenjaku (Japanese: 羂索, Hepburn: Kenjaku), an ancient sorcerer who uses the Cursed Technique of transplanting his brain into other bodies. Kenjaku's goal is to evolve humanity through Cursed Energy to create a new golden age of Jujutsu sorcery similar to the Heian period .
Jujutsu Kaisen (呪術廻戦, rgh. "Sorcery Battle") [a] is a Japanese manga series written and illustrated by Gege Akutami.It was serialized in Shueisha's shōnen manga magazine Weekly Shōnen Jump from March 2018 to September 2024, with its chapters collected in 30 tankōbon volumes.
In reality, Kenjaku is a mysterious ancient sorcerer who had taken over the bodies of many sorcerers in many eras, among them being the ancestor Noritoshi Kamo whose body he used to make the Cursed Womb: Death Paintings. Kenjaku worked along with Mahito's group to carry out his plans.
It is a compound of the word 병; 病; byeong, meaning "of disease" or "diseased", and the word 신; 身; sin, a word meaning "body" originating from the Chinese character. This word originally refers to disabled individuals, but in modern Korean is commonly used as an insult with meanings varying contextually from "jerk" to "dumbass" or "dickhead"
Some North Korean soldiers who were engaged in unspecified work on the northern side of the border briefly crossed the military demarcation line on Sunday, South Korea’s Joint Chiefs of Staff said.
Jujutsu Kaisen (呪術廻戦, rgh. "Sorcery Battle") [b] is a Japanese anime television series produced by MAPPA, based on the manga series of the same name by Gege Akutami.The story follows high school student Yuji Itadori as he joins a secret organization of Jujutsu Sorcerers to eliminate a powerful Curse named Ryomen Sukuna, of whom Yuji becomes the host.
Sino-Korean words constitute a large portion of South Korean vocabulary, the remainder being native Korean words and loanwords from other languages, such as Japanese and English to a lesser extent. Sino-Korean words are typically used in formal or literary contexts, [5] and to express abstract or complex ideas. [7]
Komatsu enjoyed her more comical take as Maki, who often has arguments with Panda and other students, as the character is a year younger than in the television series. She noted an early scene in the moviem where Maki and Yuta interact in a way that helps to develop the former's characterization and past as Maki's backstory is given. [36]