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Dresden Venus (c. 1510–11), traditionally attributed to Giorgione but for which Titian completed at least the landscape.. The Venus of Urbino (also known as Reclining Venus) [1] is an oil painting by Italian painter Titian, depicting a nude young woman, traditionally identified with the goddess Venus, reclining on a couch or bed in the sumptuous surroundings of a Renaissance palace.
While the trend in recent years has been to downplay complicated and obscure explanations of the iconography of paintings by Titian (and other Venetian painters), in this case no straightforward interpretation has been found, and scholars remain more ready to consider allegorical alternatives of some complexity, [7] [25] Titian would probably ...
Titian's Venus of Urbino, on the other hand, was painted for the pleasure of the Duke of Urbino, and as in Botticelli's Birth of Venus, painted for a member of the Medici family, the model looks directly at the viewer. The model may very well have been the mistress of the client. Venus of Urbino is not simply a body beautiful in its own right.
The portrait of Venus of Urbino has acquired its name from the Duchy of Urbino through Guidobaldo's title as the Duke of Urbino.. Guidobaldo II della Rovere (2 April 1514 – 28 September 1574) was an Italian condottiero, who succeeded his father Francesco Maria I della Rovere as Duke of Urbino from 1538 until his death in 1574.
Venus and Musician refers to a series of paintings by the Venetian Renaissance painter Titian and his workshop. Titian's workshop produced many versions of Venus and Musician , which may be known by various other titles specifying the elements, such as Venus with an Organist , Venus with a Lute-player , and so on. [ 1 ]
Jupiter and Antiope, detail of Titian's Pardo Venus. According to the usual account, the painting was unfinished at the time of Giorgione's death. The landscape and sky were later finished by Titian, who in 1534 painted the similar Venus of Urbino, and several other reclining female nudes, such as his much repeated Venus and Musician and Danaë compositions, both from the 1540s onwards.
One of the finest versions of the artist’s work, Venus and Adonis, is set to appear at Sotheby’s London auction on December 7. Renaissance masterpiece by Titian expected to fetch up to £12 ...
After Giorgione's death in 1510, Titian completed his Dresden Venus, which began the tradition, and around 1534 painted the Venus of Urbino. [12] Kenneth Clark sees the Danaë as Titian adopting the conventions for the nude prevailing outside Venice; "in the rest of Italy bodies of an entirely different shape had long been fashionable".