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  2. Mesoamerican Codices - Wikipedia

    en.wikipedia.org/wiki/Mesoamerican_codices

    During the 19th century, the word 'codex' became popular to designate any pictorial manuscript in the Mesoamerican tradition. In reality, pre-Columbian manuscripts are, strictly speaking, not codices, since the strict librarian usage of the word denotes manuscript books made of vellum, papyrus and other materials besides paper, that have been sewn on one side. [1]

  3. Category:Mesoamerican pictorial manuscripts - Wikipedia

    en.wikipedia.org/wiki/Category:Mesoamerican...

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  4. Andreas text-type - Wikipedia

    en.wikipedia.org/wiki/Andreas_text-type

    The Andreas text-type has also been called a subtype of the Majority Text in Revelation, which is divided into the Koine form of Revelation and the Andreas type of Revelation. [ 2 ] Manuscripts belonging to the Andreas text-type are primarily found in manuscript of Andreas' commentary although there exists Andreas manuscripts which do not ...

  5. Papyrus 115 - Wikipedia

    en.wikipedia.org/wiki/Papyrus_115

    Papyrus 115, also known as P. Oxy. 4499, is a fragmented manuscript of the New Testament written in Greek on papyrus. It is designated by the siglum 𝔓 115 in the Gregory-Aland numbering of New Testament manuscripts. It consists of 26 fragments of a codex containing parts of the Book of Revelation. [1]

  6. Codex Cospi - Wikipedia

    en.wikipedia.org/wiki/Codex_Cospi

    The Codex Cospi (or Codex Bologna) is a pre-Columbian Mesoamerican pictorial manuscript, included in the Borgia Group. It is currently located in the library of the University of Bologna. Like other manuscripts in the Codex Borgia, the Codex Cospi is believed to derive from the Puebla-Tlaxcala region but the exact origin of the manuscript is ...

  7. Borgia Group - Wikipedia

    en.wikipedia.org/wiki/Borgia_Group

    The first page of the Codex Fejérváry-Mayer.. The Borgia Group is the scholarly designation of a number of mostly pre-Columbian documents from central Mexico.In 1830–1831, they were first published in their entirety as colored lithographs of copies made by an Italian artist, Agustino Aglio, in volumes 2 and 3 of Lord Kingsborough's monumental work titled Antiquities of Mexico.