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Whaam! adapts a panel by Irv Novick from the "Star Jockey" story from issue No. 89 of DC Comics' All-American Men of War (Feb. 1962). [23] [24] [25] The original forms part of a dream sequence in which fictional World War II P-51 Mustang pilot Johnny Flying Cloud, "the Navajo ace", foresees himself flying a jet fighter while shooting down other jet planes.
Holbein's The Ambassadors (1533) is a complex work whose iconography remains the subject of debate.. Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style.
In painting, photography, graphical perspective and descriptive geometry, a picture plane is an image plane located between the "eye point" (or oculus) and the object being viewed and is usually coextensive to the material surface of the work. It is ordinarily a vertical plane perpendicular to the sightline to the object of interest.
Originally, the volutes lay in a single plane (illustration at right); then it was seen that they could be angled out on the corners. This feature of the Ionic order made it more pliant and satisfactory than the Doric to critical eyes in the 4th century BC: angling the volutes on the corner columns ensured that they "read" equally when seen ...
The throne and footstool in this icon show reverse perspective, with lines converging towards the viewer. Reverse perspective , also called inverse perspective , [ 1 ] inverted perspective , [ 2 ] divergent perspective , [ 3 ] [ 4 ] or Byzantine perspective , [ 5 ] is a form of perspective drawing where the objects depicted in a scene are ...
Semiotics is the study of meaning-making on the basis of signs. Semiotics of photography is the observation of symbolism used within photography or "reading" the picture. This article refers to realistic, unedited photographs not those that have been manipulated in any way.
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Erwin Panofsky defines iconography as "a known principle in the known world", while iconology is "an iconography turned interpretive". [7] According to his view, iconology tries to reveal the underlying principles that form the basic attitude of a nation, a period, a class, a religious or philosophical perspective, which is modulated by one personality and condensed into one work. [8]