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E minor–G major 1837–38 Piano, original 156/10 A 40b/3 (Allegro pastorale) pf G major 1837–38 Piano, original 1st version of S.160/3 156/11 A 40b/4 (Andante con sentimento– Allegretto) pf G major 1837–38 Piano, original 156/12 A 40b/5 (Andante molto espressivo) pf G minor 1837–38 Piano, original 156/13 A 40b/6 (Allegro moderato) pf ...
Following Bartók's lines, in Liszt's Piano Sonata the "Andante sostenuto" in F-sharp minor was "of course" banal, the second subject "Cantando espressivo" in D major was sentimentalism, and the "Grandioso" theme was empty pomp. Liszt's Piano Concerto No. 1 in E-flat major was in most parts only empty brilliance and in other parts salon music ...
His larger scale works such as sonatas, the four scherzi, the four ballades, the Fantaisie in F minor, Op. 49, and the Barcarolle in F ♯ major, Op. 60 have cemented a solid place within the piano repertoire, as have his shorter works: the polonaises, mazurkas, waltzes, impromptus and nocturnes.
Piano Concerto in G minor (1873) Piano Concerto in D major, Op. 18 (1879) Piano Concerto in D minor (1887) Piano Concerto in F major (1906) Piano Concerto in E major (1929) Two Piano Concertos: No. 1 in E minor and No. 2 in C major (1929/30) Ned Rorem. Piano Concerto No. 2 (1950) Concerto in Six Movements; Piano Concerto No. 4 for the Left Hand ...
Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor). This is a very unusual form in tonal music, [ 1 ] [ 2 ] although examples became more common in the nineteenth century. [ 3 ]
They also excluded C#/D♭ major, D#/E♭ minor, F#/G♭ major, G#/A♭ minor, and A#/B♭ minor. Bach modelled the sequence of his 48 Preludes on Fischer's example. [3] In 1735, between Bach's two sets, Johann Christian Schickhardt wrote his L'alphabet de la musique, Op. 30, which contained 24 sonatas for flute, violin, or recorder in all keys ...
G minor * B. 117 An arrangement for piano alone of the piano part of the song Wiosna; * 5 MS exist whose dates range from April 1838 to 1 September 1848 Barcarolle: F‑sharp major 1846 1846 Op. 60 B. 158 Berceuse: D-flat major 1844 1845 Op. 57 B. 154 Bolero: C major-A minor 1833 1834 Op. 19 B. 81 Two Bourrées G major, A major 1846 1968 B ...
Section 4a: all the section from m.181 to m.200 is built on a descending thirds sequence: Bb major - G major - E major - C#major - A major; Section 4c: in the middle of a sequence in C major, Liszt introduces a local climax in Ab major (flat VI degree), with the only fff in the entire score, before returning to C (mm. 332–344)