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E major 1838 Piano, etude 1st version S.141/4 140/4b A 52/4b Arpeggio: pf E major 1838 Piano, etude 1st version S.141/4 140/5 A 52/5 La chasse: pf E major 1838 Piano, etude 1st version of S.141/5 140/6 A 52/6 Tema con Variazioni: pf A minor 1838 Piano, etude 1st version of S.141/6 141 A173 Grandes études de Paganini: pf 1851 Piano, etude
Piano Concerto in G minor (1873) Piano Concerto in D major, Op. 18 (1879) Piano Concerto in D minor (1887) Piano Concerto in F major (1906) Piano Concerto in E major (1929) Two Piano Concertos: No. 1 in E minor and No. 2 in C major (1929/30) Ned Rorem. Piano Concerto No. 2 (1950) Concerto in Six Movements; Piano Concerto No. 4 for the Left Hand ...
His larger scale works such as sonatas, the four scherzi, the four ballades, the Fantaisie in F minor, Op. 49, and the Barcarolle in F ♯ major, Op. 60 have cemented a solid place within the piano repertoire, as have his shorter works: the polonaises, mazurkas, waltzes, impromptus and nocturnes.
Following Bartók's lines, in Liszt's Piano Sonata the "Andante sostenuto" in F-sharp minor was "of course" banal, the second subject "Cantando espressivo" in D major was sentimentalism, and the "Grandioso" theme was empty pomp. Liszt's Piano Concerto No. 1 in E-flat major was in most parts only empty brilliance and in other parts salon music ...
Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor). This is a very unusual form in tonal music, [ 1 ] [ 2 ] although examples became more common in the nineteenth century. [ 3 ]
Title page of Vol. XII of the 19th-century complete edition of Chopin's works: the volume contains Chopin's compositions for piano and orchestra. Frédéric Chopin's compositions for piano and orchestra originated from the late 1820s to the early 1830s, and comprise three concert pieces he composed 1827–1828, while a student at the Central ...