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1995 – Lajos Parti Nagy, Fox Affair at Sunset (lit. "Fox Object at Sunset"), a postmodern death poem with nostalgic irony. [11] 1998 – Elizabeth Hand, Last Summer at Mars Hills: An Indian boy has magical amulet which allows him change into a fox. 1999 – Kij Johnson, The Fox Woman, in which one of the protagonists is a fox woman named Kitsune.
In the original essay ("a fox who all his life sought, unsuccessfully, to be a hedgehog") FiveThirtyEight: Nate Silver: Its logo is a fox, alluding to Archilochus' saying [7] Warren Buffett: William Thorndike Sigmund Freud: Peter Gay "a fox who at times affected a hedgehog's clothing" McDonald's: Tom Gara "firing multiple shots in all ...
The fox refuses such help on the grounds that the insects have already gorged themselves on her blood and hardly trouble her now, but they would inevitably be succeeded by new swarms if removed. The fable is mentioned by Aristotle in his work on Rhetoric (II.20) as an example of Aesop's way of teaching a political lesson through a humorous example.
But Andrea Alciato, the influential Italian originator of the emblem book, generally pictures a fox contemplating a mask. The six-line Latin poem accompanying it declares that it is mind, not outward form, that is most important (Mentem, non formam, plus pollere). [5] This version also appeared in a Neo-Latin poem by Gabriele Faerno. [6]
The Fox and the Cat is an ancient fable, with both Eastern and Western analogues involving different animals, that addresses the difference between resourceful expediency and a master stratagem. Included in collections of Aesop's fables since the start of printing in Europe, it is number 605 in the Perry Index .
The first known example of this narrative idea, exploited for full ironic effect in the genre, is Chaucer's mock heroic Nun's Priest's Tale which Henryson almost certainly used as a source. Chaucer also featured in his poem a long and profoundly comic set of excursuses on dream prediction delivered by the (well-read) victim of the farmyard ...
William Caxton (pictured centre-right), whose translation of Aesop's Fables was a probable source for the tale. A probable source of the tale is Petrus Alfonsi's Disciplina clericalis, which has the same three motifs: the rash promise of the husbandman; the wolf mistaking the moon for cheese; and the wolf that descends into the well via a bucket, thereby trapping himself and freeing the fox. [1]
Reinecke Fuchs by Goethe is a poem in hexameters, in twelve parts, written 1793 and first published 1794. Goethe adapted the Reynard material from the edition by Johann Christoph Gottsched (1752), based on the 1498 Reynke de vos. In Friedrich Nietzsche's 1889 The Twilight of the Idols, Nietzsche uses Reynard the Fox as an example of a ...