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In the original essay ("a fox who all his life sought, unsuccessfully, to be a hedgehog") FiveThirtyEight: Nate Silver: Its logo is a fox, alluding to Archilochus' saying [7] Warren Buffett: William Thorndike Sigmund Freud: Peter Gay "a fox who at times affected a hedgehog's clothing" McDonald's: Tom Gara "firing multiple shots in all ...
1995 – Lajos Parti Nagy, Fox Affair at Sunset (lit. "Fox Object at Sunset"), a postmodern death poem with nostalgic irony. [11] 1998 – Elizabeth Hand, Last Summer at Mars Hills: An Indian boy has magical amulet which allows him change into a fox. 1999 – Kij Johnson, The Fox Woman, in which one of the protagonists is a fox woman named Kitsune.
The fox refuses such help on the grounds that the insects have already gorged themselves on her blood and hardly trouble her now, but they would inevitably be succeeded by new swarms if removed. The fable is mentioned by Aristotle in his work on Rhetoric (II.20) as an example of Aesop's way of teaching a political lesson through a humorous example.
But Andrea Alciato, the influential Italian originator of the emblem book, generally pictures a fox contemplating a mask. The six-line Latin poem accompanying it declares that it is mind, not outward form, that is most important (Mentem, non formam, plus pollere). [5] This version also appeared in a Neo-Latin poem by Gabriele Faerno. [6]
Reinecke Fuchs by Goethe is a poem in hexameters, in twelve parts, written 1793 and first published 1794. Goethe adapted the Reynard material from the edition by Johann Christoph Gottsched (1752), based on the 1498 Reynke de vos. In Friedrich Nietzsche's 1889 The Twilight of the Idols, Nietzsche uses Reynard the Fox as an example of a ...
One of the rare variations is the painted panel by Léon Rousseau (fl.1849-81) which pictures the fox crouching with one paw on the fallen cheese and bending his head directly upwards to taunt the agitated crow. [46] There is also the 1961 print by the German artist Horst Janssen of a large striped fox looking up at a minute bird on a twig ...
The Fox and the Cat is an ancient fable, with both Eastern and Western analogues involving different animals, that addresses the difference between resourceful expediency and a master stratagem. Included in collections of Aesop's fables since the start of printing in Europe, it is number 605 in the Perry Index .
The fox is taken as attempting to hold incompatible ideas simultaneously, desire and its frustration. In that case, the disdain expressed by the fox at the conclusion to the fable serves as a psychological defence mechanism by reducing the dissonance through criticism. Jon Elster calls this pattern of mental behaviour "adaptive preference ...